A classic question on the Internet is "When do you think you are old?" There are many answers: when you are aware of your own shortcomings like your parents, when you will take a lot of medicine when you go away, when there are only songs from many years ago in the song list

Now I can add one more sentence: when I find that many actors I know very well do not know.

The second season of "Celebrating the Past Years" has begun. Many supporting actresses can be hostesses in other dramas, including Yu Feihong.

But when the queen she played came on stage, the audience did not know her.

This kind of moment will make people feel dazed. After asking the question "Ah? How can anyone not know Ta", they realize that this sentence pattern itself emits an old-fashioned flavor.

Compared with Zhang Ziyi, Zhou Xun and other post-70s actors, Yu Feihong is indeed a little star poor, but she has also left a classic screen image in different age groups.

20+There is "Hand in Hand", in which she played a third party. At that time, "playing the third party" was not the traffic code of domestic dramas, and the third party could also have its own character arc. Yu Feihong became famous overnight with the role of "Wang Chun".

30+There is "Xiao Li Throwing Dagger". Her role as "Jinghong Fairy" is as amazing as this name, which also deepens her extraordinary and refined goddess image.

40+With "Little Husband", the goddess began to be grounded and trapped in the trivial matters of real life. The setting of falling in love with my ten year old brother is dreamy, but it seems reasonable if it is matched with Yu Feihong's face.

"Hand in Hand" and "Xiao Li Throwing Knife" may be too long ago for young audiences. Today, I want to talk with you about "Little Husband", which has a mixed reputation.

As for Little Husband, Xu Zhiyuan had a very frank evaluation in Thirteen Invitations. He asked Yu Feihong, "How could you make such a vulgar play?"

In Xu Zhiyuan's opinion, this play is very "vulgar", which has become a little popular on social platforms in recent years.

Among them, Yu Feihong plays a part of Yao Lan, the female leader, who is caught in the rain.

The ex love here is that Yao Lan has just completed the divorce procedure with her cheating ex husband, which is her 34th birthday. The ex husband not only forgot her birthday, but also has a rather perfunctory attitude towards divorce. It rained heavily the day after leaving the Civil Affairs Bureau, and the mother of the only relative did not hear Yao Lan's phone call. In order to borrow the umbrella from the cake shop, Yao Lan bought herself a birthday cake.

It sounds very unlucky. Then something even worse happened. The wet passer-by collided with Yao Lan head-on, and the cake fell to pieces.

According to the style of ordinary idol dramas, the female owner of this node should cry in the rain, and then an umbrella appears on her head. The camera moves up slowly along the hand holding the umbrella, and finally stops on the face of the handsome hero.

　　 As a result, Yao Lan's reaction was to laugh three times, throw away the umbrella she had borrowed and yell at the sky, "God, what can you do to me?! "

There is a sudden burst of madness and beauty regardless of one's own life and death.

I can almost imagine what kind of spoofing craze this play will cause if it is shown today: "How can people not be crazy? Just push it" "I work like this" "This mental state is more or less like me"

Before the rise of "feminism" on the screen, "Little Husband" should be one of the few urban dramas in those years that featured love between sister and brother and became popular.

Now, looking back, although there is something embarrassing about dog blood, there is also something unique. From the difference between this play and the later modern play focusing on the love between sister and brother, we can also see some clues of creative changes.

For example, in the popular "love between sister and brother" on the screen, the elder sister is very bright from the workplace to the details. The appearance lens usually needs to be high spirited. The most common career settings are Mr. Overlord, lawyer, designer, etc. In short, it is easy to think of "city beauty" at a glance.

(The appearance of Jiang Shuying in The Law of Women ▲)

In The Little Husband, the female owner Yao Lan, played by Yu Feihong, is not a professional elite or a strong woman. She works as a store manager in a 24-hour convenience store.

The work content is not complicated, but she takes her work very seriously, which can be called diligent. After divorce, she can still remember to work on the night shift. Many of the story scenes in the play happen when she works on the night shift.

Compared with the main characters who are set as the "female tyrants", Yao Lan may have more working scenes.

Yao Lan's personality is not "perfect" either. From the crazy scene in the front rainstorm, we can see that she is neither elegant nor strong emotional stability.

If you can't stand it, you will make a scene, even if you know that you will be regarded as a "resentful wife" ↓

Sometimes even a little irritable, especially in the face of close friends ↓

Yao Lan is very close to "ordinary people" in all aspects except for a beautiful face of Yu Feihong.

At present, there is another trend in the love between sister and brother, which is "clean and clean". The work is "strong" in an all-round way, but the emotional world needs to be "girlish", preferably a blank sheet of paper.

　　 The Next Stop is Happiness was called First Love of a Senior Girl before its name was changed. From the title of the play, you can see the heroine's design; In "We Will Not Love", the female owner suffers from "love difficulty" directly. It seems that only by maintaining a certain "purity" in emotion can the heroines obtain the qualification of being loved.

In The Little Husband, Yao Lan's debut is just before the wedding, and the people who are going to join hands with her into the marriage hall are not really true love. Yao Lan is more to reassure the mother who brought him up alone, while the man wants to settle down when he is old. Both parties are of the same age and suitable conditions, which are very realistic emotional choices for each other.

As a 30+female with certain emotional experience and life experience, Yao Lan also has a feature that she can handle things.

In the first two episodes of the play, the video of her making a fool at the wedding was spread to the Internet and became popular. Someone followed her to her store to get a warm reception. Yao Lan's way of doing this is to make her own photos into an easy to pull treasure. The main way to attract customers is to pull business in the store, and she likes to increase the turnover by three times.

There is no living wisdom without a man from heaven. This is a truth that every real person understands: "You have to earn money to eat at any time!"

In the love between sister and brother, it is easy to establish the motivation that the sister likes the younger brother. As for why the younger brother likes the elder sister, it is necessary to rationalize the screenwriting. Finally, what the audience sees is that the heroine's setting is more and more off the ground, suspended and "perfect".

The Little Husband gives a more straightforward answer to this question——

When asked what you like about me by Yao Lan, the man replied, "You are more considerate than my mother, more gentle and considerate than my sister, and more sensible than all the girlfriends I have ever met before."

This answer may be "judged" at the moment, but we have to admit that it is much more credible than other crowning words in the name of love.

The "ordinary" in Little Husband has gradually become a rare quality in domestic dramas in recent years. The creators are committed to shaping perfect characters and perfect love, but ignore the fact that the more buffs are added, the farther away from the audience.

　　 When the creators refuse to be "ordinary", they are rejecting the audience.