The wind of archaeology still blows to Han Hong.

After receiving millions of praise on the microblog of "Zhanzhan", an interview by Han Hong many years ago was also hot on the archaeology. The reason is that Han Hong's mental state in the video is too advanced.

The host Yi Lijing asked Han Hong if she had considered having a child. Han Hong's answer is as follows——

　　 "When I was 39 years old, I thought that when I saw that many friends had babies, especially people like Hao Lei, I didn't want to have two babies. I always asked her for two treasures, and she wouldn't give them to me."

　　 "I really can't. I'm still a child myself."

　　 "I will not let Hao Lei go. I will ask her again."

Abstract, too abstract. Han Hong's achievements+1: redefine "having children".

Not only did Han Hong ask Hao Lei for help, but Han Hong asked A-lin for help on the later "Night of Xiaoyan".

The best party to entertain is the elder sister. 👍

However, if you have seen the original film of these two interviews, you will clearly feel the gap between the two. The former is careless and reasonable, while the latter is more like the topic of ending the conversation by joking in the face of the elder's persuasion.

Yi Lijing's interview with Han Hong lasted less than 40 minutes, which was not very long, but it was very exciting. It can be said that the whole audience was very energetic, and golden sentences frequently appeared. Asking Hao Lei for children was just one of the insignificant highlights.

The time node at that time was before the final of the third season of I Am a Singer. The high-pressure competition rhythm and various topics surrounding Han Hong outside the program had exhausted her. However, in this case, Han Hong still did not appear more "flexible" or more "stable" in the interview, focusing on one who was free to say what he thought.

For example, when talking about her frequent variety shows and reality shows in those years, Han Hong succinctly concluded that "the more reality shows, the less real people, the more real show".

She is also very clear about her positioning and attributes in reality shows: "cannon" and "commodity".

Before recording this interview, Han Hong had taken the second from the bottom two times in My Song. When talking about her "counter attack" in the program, Han Hong said that she was a child whose emotions were all written on her face. Yi Lijing rejected her, saying, "You may not be a child, but you are too competitive.". Han Hong was obviously in a mood, so she directly scolded "Who are you? I am me. I really don't want to take care of anyone."

Responding to why there is no Tibetan song in the song selection, she also answered very simply, "I don't want to bully them with Tibetan songs". Even Yi Lijing, who was sitting opposite, was a little surprised and said subconsciously, "This is arrogant.".

At last, she did the same thing. Han Hong's performance track in the final of My Song is Tianlu, which is a representative work that can give full play to her voice advantages, but it is not a real Tibetan song.

Not only did Han Hong "utter wild words" to others, she was also very cruel to herself. In the interview, she recalled that when she was most popular, she had to be followed by ten bodyguards when she went out. She said that she was "short-sighted", "frog in the well", and "small man achieving ambition" at that time.

Every time a hot social event occurs, netizens will observe which stars are voicing for it, but I believe you can also feel that there are fewer and fewer artists who express their attitudes or opinions in social events in the past two years. In the conversation between Han Hong and Yi Lijing, she did not hesitate to talk about the weak protection of minors and the sexual abuse of left behind girls.

There are righteous expressions, but also a flash of humor.

When asked whether he regretted becoming a soldier, Han Hong first replied that he would not regret making any decision, and finally added, "What I regret most is why I grew so fat in my life.".

When talking about suffering from depression because of her grandmother's death, Han Hong at that time "always had the impulse to jump from upstairs" and felt that she could fly when she opened her arms ", but she also affirmed that she said," But I didn't smoke d even after that ".

As for the gap between domestic entertainment music industry and foreign countries, Han Hong's comments can be regarded as blood letting——

　　 "These pop singers and stars in China, how can they be any stars? They deceive themselves, don't they? How can you compare with Celine Dion? In terms of selling records, how many records does Adele sell in a year, right?"

　　 "Young people, Justin Bieber, let's not talk about them. It's Korean EXO, F (x). How many records do they sell? Does anyone buy records in China?"

　　 And slightly angry "Where are we (domestic stars)? Are we all in bars, at night, driving sports cars there, showing off, a bit of virtue?"

If this interview is broadcast today, the bullet screen should be full of "Is this OK to say?" Hot searches starting with "Han Hong said" at least ten times.

　　 The hot topic of "Is it OK to say this?" also comes from the interview footage of Yuan Li and Siqin Gaowa many years ago. Yuan Li improperly mentioned the news of Siqin Gaowa playing sheep placenta in the work promotion. Siqin Gaowa was obviously unhappy and had to hold on to it. Her expression and response were very good 。

This interview became popular several times later. The most recent one was the year before last. It was imitated by various bloggers, and even a new CP.

In recent years, there are many examples of such ancient interview fragments being archaeological and then rapidly fermented into hot stems in a short time.

Na Ying's "It's hard to comment", "I wish her success" and "It mainly plays a role in modeling" have become a classic Internet meme, and also become a third dimensional mouth addiction of many people.

The most interesting thing about this interview is that Zhang Ziyi was not far away when Na Ying said these words. When Naying commented on Zhang Ziyi's role in modeling, the camera also cut a close-up shot of her modeling that day.

It is hard for us to imagine that there will be artists of this kind who will directly make such intuitive and unfriendly comments on another top female star in front of the camera. The reality is that top artists who are directly marked as "home to home" by netizens, together with the box, will try their best to avoid.

There is also the most sensitive love issue of stars, which is also a great source of fun for netizens in archeology.

When Big S and Wang Xiaofei announced their wedding news, a reporter opened his face to Zhang Yuqi, one of Wang Xiaofei's predecessors. Zhang Yuqi directly opened the show and repeatedly asked "ah? Ah? Ah?" pretending not to hear clearly, revealing a trace of laughter in embarrassment.

Although the reporter did not get any effective information at last, the netizens saw a more realistic and vivid female star. In the face of questions you don't want to answer, you will be emotional and use your own tactics to deal with them. Apart from these routines, you come and go, which is the unique character of Zhang Yuqi.

Why do we like to watch former star interviews? On the one hand, people often inadvertently contribute to the horse catching scene. On the other hand, former star artists dare to think or say, which is more in line with the current general attitude of rejecting internal friction.

Faye Wong is almost archeologized once a year, "My biggest trouble now is that I am too red"; Shuqi picked her finger and casually said, "When people are bored, they will want to find a man to play with... (gasping) feelings!"; Liu Yifei with disdain "I care what he likes?"

Asking is a real super relaxation.

The current tedium and boredom of the entertainment industry is in sharp contrast to the former vitality, which makes the renaissance wind blow for several years. There is no sign of weakening, but there is a trend to become the normal state of internal entertainment.

In contrast, the popular "popular election", the reemployment men's troupe or the ten days of hard work in recent years were initially brought into the audience's view by virtue of the label of "entertaining the living".

　　 The entertainment industry has undergone tremendous changes, but some rules remain unchanged: no one likes the "truth" of performance, even though it often wears the mask of "perfection".