If I have to find out the shortcomings of My Altay, my answer is: too short.

Short enough to see, not enough to see the scenery of Altay.

Those free and resilient women on Rainbow Blake Grassland are not enough.

　　 Finally, there are female characters on the screen who make the audience tremble when they see them, They don't have to have good looks or delicate makeup Don't "wake up" Shout out the slogan of "Big Lady".

In Altay, the corner where wildness collides with civilization, everyone is given the right to grow up by nature.

Those women on the grassland who have the toughness of grass and are as fragile as grass can't move their eyes.

　　 Token -- Hotan Jade on the Grassland

It is my selfish intention to put Token first.

　　 She is not the main character of the story, but She appeared Every scene affects my mood 。

Token's experience makes people sympathize, and his character is so natural and free. The seemingly contradictory story is rationalized by the boundless grassland, and the suffering sharpens the Hotan jade on the grassland.

Token, like a jade, is a woman with toughness and faint brilliance.

It is bitter and sad to use the third person to highly condense the story of Token and then tell it.

　　 When his late husband was alive, Token had a hard time. After his death, Token had a hard time. Bracket Ken's Two children ， My father-in-law wants to stay, and Token wants to take it away.

　　 Her life Just like this Pull Is consumed in.

At the beginning of seeing the story of Token, many people will think of the water spray in Mountain and Sea Sentiment, which is like a "tough guy" chosen by fate, and all of them carry a large family with their own shoulders.

But Token is different from water spray. The suffering of water spray is swept up by the wind and sand on the loess ground. It can't be separated and talked about anywhere. Finally, it settles in the smelly soil where mushrooms grow. Token dares to say or complain, angry and sad that no one remembered the request to buy a washboard for himself, and excited to participate in Tuoyi (a rural dance of Kazakh herdsmen).

Her emotions come and go like wind, and those who think they can restrain her and make her yield have not left too many traces here.

Token is not a widow stereotyped by literature, film and television works, but a woman who still feels happy from life, is still beautiful for herself, and is happy to discover gossip.

　　 Li Juan wrote in "Winter Pasture" that the reason why people can I feel "happy" not because I live comfortably, but because I live hopefully.

Token is very good at finding "hope" for his life, a drag dance, and a "restaurant" in the city.

　　 Her life is between one hope and another. This hope may or may not be "love" and "marriage".

　　 and Chaoge Because the marriage was not going well, they quarreled, and the other side was unscrupulous, "I didn't feel lost when you were a woman with two children People ".

　　 When Token heard this sentence, he didn't allow the other person because he was a lover Define or disparage My value was returned to that it was good to take my children to work in restaurants in the city without getting married.

Token's happiness is not only because of meeting Chaoge, but also because he has the ability to love and be loved, and has the confidence to choose his own way of life.

　　 Zhang Fengxia, the world's least worried person

Zhang Fengxia is called "Zhang Fengxia" in the original script.

One word difference, from a typical middle-aged woman to a brave and brave chivalrous woman.

The biggest change of Zhang Fengxia is "how to be a mother".

The mother in the original book also runs her own small business in the pastoral area. When the language is not available, she bursts into wisdom, simplifies all complex things, and interprets acrylic fiber as plastic. Cigarettes have no brand but only patterns and colors, birds, red, green, white here and white there.

　　 In the original text, she is not a mother who completely lets her children find their own way, but is responsible for The child's life is not good. Hearing that "the quilt is a little thin", she hurries to make camel hair quilt. The next night, she appears with a quilt that can make people choke.

Zhang Fengxia is a more fashionable mother, not in fashionable clothes, but in the state of getting along with his daughter. She neither dampens nor boosts the fun. In spirit, she is "whatever you want", and in body, she is "none of my business".

Seeing that her daughter Li Wenxiu was frustrated, she seldom hurried forward to ask. Wenxiu's bed collapsed, and she slept as fast as she could.

The daughter asked the question, "Am I very useless?" She replied by borrowing the things in front of her, "The trees and grass on the grassland are useful if they are eaten and used by others. If they are not used by others, it is also good to stay on the grassland like this".

There is quite a sense of enlightenment that "there is no great event beyond life and death".

Ma Yili commented on Zhang Fengxia in a magazine interview, "She doesn't have any so-called sense of identity - mother, daughter-in-law, widow... Zhang Fengxia is herself, she doesn't have any symbols, but she has her own principles and discretion in her relaxation".

　　 Zhang Feng Xia is like a stream on the grassland, always flowing and unlimited.

she hold Salt in Sugar in the sugar can, sugar in the soda can, washing powder in the salt pot Inside, the biscuit box contains the ashes of the deceased husband.

Compared with Nvxia, I think she is more like a "living family" who feels the present and defines the world. If the elderly dementia mother-in-law loses her, she can find her back. The normal channel is impassable, so she holds a small red flag cos to pick up tourists and guide her to cheat her mother-in-law home.

She only cares about the solution of things, and will not bother to deduce how everything happened, to regret, to fight internally.

She was chased by wolves, cheated by others, and overwhelmed by sudden love. She accepted all of them and took them on her own. Gao Xiaoliang cheated her people and took her goods, but if she cheated Kazakh herdsmen, she would pay her own back.

Zhang Fengxia is a knight errant who is determined to stay in Altay. He will keep his word and act with sincerity.

　　 Li Wenxiu—— Not Li Juan, but Li Wenxiu

My Altay is a collection of essays written by the author Li Juan in the first person.

After being adapted into a play, the role of an outsider became Li Wenxiu.

Li Wenxiu is not Li Juan. Li Juan is a daughter who always carries a big woven bag, one by one, to pick things out. She bought a "pocket rabbit" that is longer than a rabbit. She also bought a mouse called "Golden Bear", with a tail missing. Let these animals take her place and accompany her mother and grandmother on the grassland.

Li Wenxiu is a daughter who will act coquettishly with her mother and persuade Zhang Fengxia to buy these cute animals.

Because of these changes, Li Wenxiu is the most controversial role in the original fans in the early stage of the play. She has no sense and independence of the author of the prose collection, no filling of so many inner monologues, and has become a counselor who is difficult to adapt to the environment, and a troublemaker.

　　 In the movie environment of "Muqiang", such Li Wenxiu is difficult to be understood and even loved by everyone until she finished what the writer Liu Haibo said in Altay“ To love, to live, to hurt.

She was not happy at the beginning, so she always worried about her usefulness.

After only 8 episodes, she did not grow into a pleasant girl, but became a more courageous, firm and responsible Li Wenxiu.

For Token, Zhang Fengxia is not a chivalrous person. Li Wenxiu, who is willing to speak for her and contradict the authority for her, is a real chivalrous person.

　　 Li Wenxiu, who used to dare not ask for his salary, stood up and spoke for his dilemma, "All traditions and civilizations have been gradually discovered by human beings in the process of world change Of. Only constant change is constant. Adapting to the new era and adjusting life is the right way ”。

Even though she was extremely frightened, Wen Xiu, who had just been told by her mother that "Kazaks have their own way of getting along with the world", tried to break the deadlock.

Instead of looking down on criticism as a civilized person, as a friend, as a woman, I saw Token's difficulties and stood behind him.

Wenxiu's life is not so good. Every time she starts, she will not end up in applause and flowers like the lady who is the leader of Wenxiu.

　　 hers The story is always like growth itself. When people grow up, difficulties become stronger.

The only constant in the process is writing and recording.

Just write, write, and Li Wenxiu becomes Li Wenxiu.

The women on Rainbow Blake Grassland are very attractive. If you open up to write and talk, you can never finish an article.

　　 The Mongolian grandmother with wrinkles on her face and wisdom in her heart is a life philosophy that comes from time to time. " The bumpy life should also be bright ”In the steaming bathhouse, the women who are full of life breath expose that men fight for their own Kuran

They see the truth of life clearly, do not lose themselves in love, and firmly choose to love and live.

Under the influence of neo liberalism, the status of love has gradually declined, and expressions related to love will also be labeled as "vulgar" and "inferior" questions. The ignorant love between Patty and Wenxiu has been labeled as "pull up like and Xiaoying" by netizens in reality, and Zhang Fengxia's "love brain" has become her only weakness.

In response, the director Teng Congcong replied, "I think this is another kind of 'strong admiration'. If I think that reason, coldness, selfishness, and only love themselves are powerful, I think it is (wrong) biased. I think women's sentimentality, romance, tolerance, empathy, compassion... are also powerful".

It is powerful to love oneself, and powerful to realize self value and pursue ideal.

Love others is also strong, is willing to give, willing to bear all the uncertain consequences of the strong.

The women in Altay, just because of their diversity and strength, can't be moved or forgotten.