When it comes to "Jiangnan Beauty", many people will think of the exquisite beauty of make in Gangnam. However, the latest hot search is "Jiangnan style" made in Jiangsu, Zhejiang and Shanghai, which is a mix cut of female celebrities' ancient clothes, "This is Jiangnan Beauty".
Gentle and pleasant, 'Jiangnan Beauty' with its own soft light filter instantly became a hot search word on the Internet. The ancient costumes of various female stars in the video have taken away many people's souls.
There are not only countless beautiful scenery in Jiangnan, but also beautiful people praised by the gods. But if you dig deeply into the hometown of these Jiangnan beauties in the video, you will find:
This "Jiangnan woman" who frowns and smiles to please all living creatures is from Jilin;
This "Jiangnan woman" is from Tianjin;
■ Image source: Weibo @ Yichuan Roast Whole Sheep And this "Jiangnan woman" with a loose bun is from Heilongjiang.
This is enough to show that as long as you hold the "Jiangnan style", you can dress up as a Jiangnan beauty.
The formation of this "Jiangnan feeling" is mostly due to their delicate facial features, small and exquisite skeleton and figure.
The gentle and non aggressive appearance can easily give people the feeling of "softness". If the eyes have some water light, it is really difficult to distinguish between north and south.
In the eyes of people from different regions, the scope of understanding of 'Jiangnan' is not the same. Most people now think that Jiangnan generally refers to the south of the Yangtze River, or Suzhou, Hangzhou, Zhejiang and Anhui. Since ancient times, it has been a place of high cultural and economic prosperity. After the Western Jin Dynasty, the gentry in the Central Plains successively crossed the Huaihe River and moved south, starting with Jiangnan.
In the writings of scholars, Jiangnan is not only a geographical term, but also an image.
It is "the castle peak building outside the mountain"; It is "people rest on the river"; It is "a cup of green willows in Changzhou Garden and a cup of spring wine in Qiyunlou"; It is "a thousand sails are not too much, the setting sun pulse water is leisurely"; It is "read the red medicine beside the bridge, know every year, for whom"
All scenery words are love words. Literati and literati in Jiangnan always have endless vocabulary. The same is true for Jiangnan Americans.
We can't blame them for always praising the beautiful women in Jiangnan, because there are so many beautiful women in Jiangnan. From the White Lady who watches Qiantang Lake in the daytime to Nie Xiaoqian who has a "dream like a long road" at night; From the beauty of sinking fish and falling geese to sister Lin falling from the sky.....
The probability of becoming a beauty in the south of the Yangtze River is always higher than that of becoming a beauty in the north.
In the eyes of most people, girls in the south of the Yangtze River always bring people the illusion of quiet, tranquility and tranquility. This is probably because of the ancestral saying that "one side of the land supports one side of the people". There are many rivers and seas in the south of the Yangtze River, and the moisture content in the natural air is also high, so it is believed that girls in the south of the Yangtze River are generally smart.
Most of their skeletons are small, and their facial features are relatively light, so they are easy to look small and beautiful.
In addition to appearance, Jiangnan beauty also has one feature - she is proficient in music, chess, calligraphy and painting.
The rich economic conditions, coupled with the temperament of poetry and calligraphy in the belly, have fostered the unique beauty style of Jiangnan.
Han Xue - Water System Lady
Han Xue is a standard Suzhou beauty with a long history of water. She was born in Gusu District, Suzhou City, Jiangsu Province. With the blessing of three "Su", her appearance is also crisp. When wearing modern clothes, I feel that I am a standard beauty. After wearing a cheongsam, I will show my elegant and dignified talent in Jiangnan.
Han Xue is a standard melon seed face. In the early days, his cheeks were somewhat fleshy and looked more cute. Later, with the disappearance of soft tissue, the bone appearance became more obvious.
Her high nose and obvious lip peaks make her a little proud, and the slightly downward eye tail weakens this kind of aloofness. Her style is not like a small bridge and flowing water, but more like the Qiantang tide.
No wonder he can become an ambassador of Suzhou garden culture.
Li Qin -- Wooden Beauty
Li Qin is also a beautiful woman in Suzhou. She was born in Kunshan, Jiangsu Province, the birthplace of Kunqu Opera.
When she was young, she grew up in a theater. Learning Kunqu Opera from an early age made her body graceful in the south of the Yangtze River. The role of Li Qin in the big fire, Xue Baochai in A Dream of Red Mansions, was also a beauty in the south of the Yangtze River.
Li Qin's appearance is beautiful, with his eyes and tail slightly raised. The outline of the mandible is slightly obvious, belonging to the Jiangnan Sect. Between watery tenderness and domineering side leakage, only one eye makeup needs to be changed.
Therefore, after the performance of Princess Heihua in the Biography of Chuqiao, she can return to the Biography of Ruyi and continue to be Concubine Rong.
■ Image source: Weibo @ Jinbai Qiuyue Ink
■ Image source: Weibo @ Jinbai Qiuyue Ink It can be seen that the plasticity of Jiangnan beauty is very high.
Ni Ni - Fire Beauty
Ni Ni comes from Nanjing, Jiangsu Province. The graceful characters in "The Thirteen Hairpins in Jinling" show all kinds of Huaihe women.
In Jiangnan, there is not only tenderness, but also softness. Ni Ni's walk in the play is out of a Jiangnan atmosphere.
Ni Ni's eyes are thin and long. When she doesn't smile, she is flirtatious. When she smiles, she is crooked. The sharp and angular facial contour highlights the atmosphere. The gorgeous cheongsam shows Ni Ni's temperament to the extreme. This sense of alienation from strangers makes Yu Mo the number one prostitute.
Cheongsam beauty is true, and classical beauty is also true. After there was no heavy makeup in "Chen Xi Yuan", the old clothes with light face returned to the little girl in Jiangnan.
In the modern dress, she also brings her own cool, a kind of senior temperament of classical beauty, both classical and international.
Jiangnan beauties are also invisible walking signs. When poets lament that "the scenery used to be familiar with", I just want to say:
Not only can you remember the scenery of Jiangnan, but beauty is worth remembering.
Edited by: Olivia, Thirteen Sister
Assistant: Miu
picture source
Sina Weibo/Xiaohongshu
