Chinese painting pays attention to the spirit of freehand brushwork. In the eyes of many people who love traditional Chinese art, Chinese painting contains the spirit of Chinese philosophy and is the symbol of Chinese culture. Reading an ancient painting and wandering in art is like seeing the history and feeling the charm of time and space.

In this issue of "Beauty in the East", the painter Feng Yuan tells us about the creative characteristics of Chinese painting "meaning first" through classic works such as "peach dove painting", "solitary bird painting", "listening to the zither painting", "pine wind painting in thousands of valleys", and "six gentlemen painting".

"Freehand brushwork can not be reached by the pen". In Feng Yuan's view, fine brushwork birds, brush and ink withered branches, and traditional flower and bird paintings, different brushwork presents different modeling features, which are also rich in expression and vitality.

When seeing Feng Yuan's ink figure painting Mother and Son, Zhang Han, the star of Only Green, said that the vivid painting content must be the creation content that the painter has seen the local humanistic landscape or felt the local humanistic spirit, which is generated from his heart.

Feng Yuan pointed out that in the history of Chinese art, Chinese landscape painting enjoys a high academic status. This is because the Chinese nation upholds the harmony between man and society, man and nature, and the expression of the cultural concept of harmony between heaven, earth and man.

Painting is like the person and the heart. "In that era, the literati pursued a noble sentiment, so people could feel the ideals and aspirations of the ancients from paintings. This ideological pursuit is also felt in today's excellent painting creation." Feng Yuan said.

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