Yu Dafu（December 7, 1896 - September 17, 1945）, male, formerly known as Yu Wen, with the character of Dafu, and the child's name is Ah Feng,ZhejiangFuyangPeople are modern Chinese writers and revolutionary martyrs.He studied in Japan and graduated from Nagoya No. 8 University (nowNagoya University ）AndImperial University of Tokyo(NowThe University of Tokyo）。[1-4]
Yu Dafu is a new literature group“Creation Society”He is one of the initiators of the Communist Party of China and a patriotic writer who died for resisting Japan and saving the country.At the same time of literary creation, he also actively participated in various anti imperialist and anti Japanese organizations, and successively engaged in anti Japanese and national salvation propaganda activities in Shanghai, Wuhan, Fuzhou, etc《Sinking》《Autumn in the Old Capital》《spring fever 》The Past《Chi osmanthus》《Huai Lu Xun》Etc.[5-6]
In the 25th year of Guangxu's reign (1899), Yu Dafu's father died, and the family was in a dilemma.
In the 29th year of Guangxu's reign (1903), Yu Dafu entered the private school to study.
In the 34th year of Guangxu (1908), he studied in Fuyang County Higher Primary School.
In the second year of Xuantong in the Qing Dynasty (1910), Yu Dafu andpoet and essayist、Like a fierce LinHe was admitted to Hangzhou Fu Middle School together, and then studied in Jiaxing Fu Middle School and American Church School.[9]
In the second year of the Republic of China (1913), Yu Dafu went to Japan to study with his elder brother Yu Hua (Yu Mantuo).
In July of the third year of the Republic of China (1914), he was admitted to the first university in Tokyo, Japan. The medical department set up a special preparatory course and began to try novel writing.[3-4][10]
In July of the fourth year of the Republic of China (1915), the first university in Tokyo, with special preparatory courses, graduated.[3-4]
Yu Dafu's Literary Stele beside Toyota Lecture Hall of Nagoya University[11]
On September 13, the fourth year of the Republic of China (1915), Nagoya No. 8 University (nowNagoya University ）, enrolled in the medical department.[3-4]
In the fifth year of the Republic of China (1916), Nagoya No. 8 University (nowNagoya University ）, read the political discipline of the Ministry of Law.[3-4]
In July 1919, Nagoya No. 8 University (nowNagoya University ）, Graduation.[3-4]
In November of the eighth year of the Republic of China (1919),Imperial University of Tokyo(NowThe University of Tokyo）He entered the Department of Economics to study. During his study abroad, Yu Dafu read a lot of foreign novels, especially Russian and German novels.[3-4][12]
On October 15, the 10th year of the Republic of China (1921), his first bookshort storyCollection is also the first collection of vernacular short stories in the history of modern Chinese literature, "Sinking", which was published, causing a sensation in the domestic literary world.
In the 12th year of the Republic of China (1923), he resigned and took officePeking UniversityLecturer, teaching statistics.
In the 13th year of the Republic of China (1924), he went to the National Wuchang Normal University to teach for only one year.
In the 15th year of the Republic of China (1926), he taught inSun Yat sen University, GuangzhouAfter resigning at the end of the year and returning to Shanghai, Yu Dafu took charge of the publishing work of the Creation Society and published a large number of literary and artistic works, such as On Novel and On Drama.
In the 17th year of the Republic of China (1928), Yu Dafu joined the "Sun Society" andLu XunEdited Popular Literature and Art with support.
In the 23rd year of the Republic of China (1934), Yu Dafu was appointed as a member of the Zhejiang Provincial Government.
In the 24th year of the Republic of China (1935)《Chinese New Literature Department》The chief editor of the Second Collection of Prose.
In February of the 25th year of the Republic of China (1936), Yu Dafu was the chairman of Fujian Province of the National GovernmentChen YiHe was invited to serve as Fujian Provincial Counselor and Director of the Bulletin Office.In Fuzhou, Yu Dafu called on the cultural circle to actively carry out anti Japanese and national salvation activities. He served as the counselor and director of the bulletin office of Fujian Provincial Government. On October 24, the 25th year of the Republic of China (1936), he wrote the article Huai Lu Xun to commemorate the death of Mr. Lu Xun.In November, Yu Dafu visited Japan. On December 17, Yu Dafu visited Taiwan on his way home from Japan to meetYang Yunping、Yellow DeshouYu Dafu was the chief editor of the supplement of Fujian People's Daily at the beginning of the Anti Japanese War.
In August of the 26th year of the Republic of China (1937), the "Fuzhou Cultural Salvation Association" was established, and Yu Dafu was elected as the chairman of the board.AndYang SaoTogether, he served as the chief editor of Literature and Art for National Salvation.In 47 days, Yu Dafu published 20 works (including one every day for 8 consecutive days).In his inscription for the young literary man Cheng Lifu at the Guanglufang Residence, he wrote: "Our generation should sacrifice for the war of resistance."[14]
Yu Dafu, the second from the left in the front row, takes a group photo with Mr. Lu Xun and others
In March of the 27th year of the Republic of China (1938), the All China Anti Japanese Association of Literary and Art Circles was founded in Wuhan. Yu Dafu went to Wuhan to serve as a design member of the Political Department, and participated in the anti Japanese propaganda work of the Third Hall of the Political Department of the Military CommissionZhou EnlaiandGuo MoruoYu Dafu delivered speeches one after anotherAll China Association of Literary and Art Circles to Resist the EnemyAt the founding meeting, he was elected as the executive director, director of the Research Department, and《Anti Japanese literature and art》Editorial board member.During this period, he went to Xuzhou Labor Force to visit the front lines.
TaierzhuangAfter the victory, Yu Dafu was appointed as the special envoy to lead the delegation of the Political Department of the Military Commission of the National Government to work in Taierzhuang. He happened to meet Stilwell, the US military attache in China who wanted to go to Taierzhuang for investigation but was not approved.Later coordinated by Yu Dafu,Li ZongrenAllow Stilwell to visit Taierzhuang.StilwellLater I wrote an article aboutTaierzhuang CampaignThe detailed report of, published in a military magazine, has caused great repercussions in the US government and military, prompting the United States to start aid to China.Yu Dafu was greatly encouraged by this front line inspection. He returned to Wuhan and wrote a series of articles, enthusiastically eulogizing the heroic spirit of the Chinese army and people in the resolute war of resistance.
In the 27th year of the Republic of China (1938), Singapore《Xingzhou Daily》At the invitation, Yu Dafu went to Singapore to participate in the anti Japanese propaganda work. On the ship, he wrote the "New Words of the Year", firmly believing that "China will never perish, and the war of resistance to the end will surely win".The next day, Yu Dafu wrote the article "Assessing the Enemy" without even arranging his life. He firmly believed that "the final victory is of course ours, and we will never waver in our belief that we will win".The article caused a strong response.
In the role of《Xingzhou Daily》During the period of writing, he also edited four or five journals at the same time, published more than 400 political essays, essays, literary essays, etc. supporting the war of resistance and analyzing the political and military situation at home and abroad, publicized the war of resistance, overseas Chinese donated money and materials to support the war of resistance, and many overseas Chinese returned home to participate in the war of resistance.
After the Pacific War broke out, Singaporean cultural colleagues were members of the CPC《Nanyang Siang Pau》Under the leadership of Hu Yuzhi, the chief editor, the "War Work Group of Overseas Chinese Cultural Circles in Xingzhou" was established. Yu Dafu was the head of the group and the head of the cadre training class. Hu Yuzhi was the deputy head of the group.[15]
On January 1, the 28th year of the Republic of China (1939), Yu Dafu published the old style poem "Wild Goose", pointing out that "cultural people should be seagulls who know the wind and waves".On the same day, he published a political paper, "Estimating the enemy". The full text was more than 3000 words, analyzing the trend of the Japanese army and the nature of the enemy's weakness. He said that "there are no adjustable troops in the enemy country, and there are no goods stored abroad." "The final victory, of course, is ours".[16]
In the thirtieth year of the Republic of China (1941),Pacific WarAfter the outbreak, he served as the head of the "Star China Cultural Circles Wartime Work Group" and“Singapore Overseas Chinese Anti enemy Mobilization Association”The Executive Committee organized the "Xingzhou Overseas Chinese Volunteer Army" to fight against Japan.
Guo Moruo, Yu Dafu, Wang Duqing, Cheng Fangwu[6]
At the beginning of the 31st year of the Republic of China (1942), Yu Dafu attendedfounder of Amoy UniversityThe inaugural meeting of the "Singapore Cultural Anti Japanese Federation" led by the leader was elected as the chairman of the Singapore Cultural Anti Japanese Federation.He became one of the anti Japanese leaders of overseas Chinese in Singapore.In February, after the fall of Singapore, the Japanese gendarmerie began a comprehensive investigation of Yu Dafu and prepared to carry out a massacre against Yu Dafu and other southbound cultural figures due to the traitors' tip offs.Yu Dafu, who is in danger, arranges Hu Yuzhi and others to leave Indonesia first.Hu Yuzhi, Yu Dafu and other 28 cultural figures who participated in the Anti Japanese War Committee exiled to Baya Public Service Market in the central and western Sumatra Island, Indonesia. Yu Dafu, under the pseudonym of Zhao Lian, opened a "Zhao Yuji" distillery with the assistance of local Chinese;Later, when the Japanese gendarme learned that he was proficient in Japanese, he forced him to be an interpreter for seven months.In the meantime, he secretly rescued and protected a large number of cultural exiles, patriotic overseas Chinese leaders and local residents.With the help of local Chinese, he set up a winery to earn a living.
On the evening of August 29, 1945, Yu Dafu disappeared in a small town in Nanyang;On September 17, he was killed by the Japanese military police inSumatrajungle.[1][17]
After the victory of the Anti Japanese War,founder of Amoy UniversityHe once told Xia Yan, the head of the foreign united front of the Communist Party of China, "Yu Dafu not only covered me, but also rescued many overseas Chinese arrested by the Japanese." A Malaysian Communist Party leader said, "Without his help, our organization would suffer irreparable losses."
Author namefounding member of the Creation Society
Short story: by Yu Dafu.Published in 1924.A rickshaw driver hoped to buy an old car to get rid of the situation of exploitation, but his wish never came true, and the family's life was difficult to maintain.The "I" in the novel bought a paper car after the coachman died and went to the grave to pay a memorial ceremony.The work is known as "a novel of grief and indignation".
Author namefounding member of the Creation Society
Work time2009-10-1
Sink is a book published by Jiangsu Literature and Art Publishing House in 2009. The author is Yu Dafu.This book is a collection of vernacular short stories, mainly about the misfortunes of the working people during the period from the May 4th Movement to the Anti Japanese War, reflecting the social outlook at that time.
Author namefounding member of the Creation Society
Work time2017-12
The handed down classic and beautiful articles: Spring Breeze Intoxicating Night is Yu Dafu's most representative collection of novels, which selects Yu Dafu's "Silver Grey Death", "Fall", "Spring Tide", "Niao Luo Xing", "Green Smoke", "Spring Breeze Intoxicating Night", "Autumn River", "Third Day of November", "Bo Dian", "Past", "Cold Afternoon", "Morning with Slight Snow", "Lost Sheep", "Escape", "In the Cold Wind""Thirteen Nights" and other articles, because it has very high achievements in both ideology and art
Author namefounding member of the Creation Society
Work time2011-9
Located in Xiaoying Street, Shangcheng District, Hangzhou City, the "Wind and Rain Thatched Cottage" was selected and designed by Yu Dafu himself and built in the spring of 1936. It is called "Wind and Rain Thatched Cottage".On April 23, 1986, the Hangzhou Municipal Government listed Yu Dafu's former residence in Hangzhou as a municipal cultural relics protection unit in Hangzhou, and carried out several renovations over the next 20 years.The opening up began on September 1, 2015.
Author namefounding member of the Creation Society
Work time2006-3-1
Tracking the footprints of modern Chinese prose in the 20th century, whether it is the early "Yusi School", "The Analects School", the "Bingxin Style" praising maternal love, Xu Zhimo's prose of "running wild horses", or the prose of Yang Shuo, Qin Mu and Liu Baiyu, who were once regarded as new classics, or even the "great culture prose","Little women's prose" is the same on at least one point, that is, "I write my own words"
Author namefounding member of the Creation Society
Work time1997-3-1
"Return" is the main song of the Cantonese album of the same name released by Hong Kong singer Yiqi Fang in 1982.The song shows the sparkling sea through vivid music images. When the sun rises, you can sing songs and sail out to sea with high spirits;The beautiful picture of returning from the sunset with splashing music.Homeward voyage is a popular song with march style. Even in the lyric chorus, the driving force of the voyage has not been diluted, sailing in the vast sea
Author namefounding member of the Creation Society
Work time2008-1-1
Yu Dafu's Prose is a book published by the People's Literature Publishing House on January 1, 2008. The author is Yu Dafu.This book mainly tells about the prose works of the famous writer Yu Dafu.
Early stage: 1920-1933.In the past ten years, Yu Dafu has written 26 lyric essays and 60 or 70 argumentative essays, including "Sinking" and "Silver Gray Death", which show his feelings of hope when he returned from Japan and his sigh of infinite disappointment after seeing the devastated motherland, both his sad and pessimistic thoughts on the future of the revolution and his impassioned enthusiasm for the revolution,A radical theory of rapid shouting.
Medium term: 1933-1938.This period was a low tide of Yu Dafu's thought. Because of the white terror of the Kuomintang, he embarked on the path of passive seclusion, pursued a backward "celebrity" demeanor, and stayed back and forth in the mountains and rivers.This fully exposed his weakness - weakness and compromise - as a petty bourgeois intellectual emerging from the old feudal camp.However, we should also see that he hated the reality and did not want to collude with others to escape.
Late stage: 1938-1945.In the spring of 1938, Yu Dafu participated in the anti Japanese propaganda work of the Third Hall of the Political Department. He took part in the battle with his pen, wrote many political essays, and encouraged people to fight with his enthusiastic voice.[19]
literatureThe color of "autobiography" in
Without exception, Yu Dafu's prose is "self expression", and it is "autobiographical" self-expression, which is the most frank and explicit self-expression.In Yu Dafu's view, the novel has the author's autobiography, "modern prose, but also has the color of autobiography."《Chi osmanthus》They all use a lot of inner monologue like lyricism, description and narration, which are well arranged, sincere and deeply personal.His own prose is constructed according to this principle.He made no secret of his life experience, thoughts, feelings and hobbies, and revealed his beliefs, habits, personality and even morbid state to the world. With his own life experience and feelings, he concentrated on the spiritual depression of the young generation under the oppression and suffocation of the old society, thus forming his own unique literary characteristics.This characteristic is the sentimental sentiment of the weak, the romantic ideal of the young awakeners, and the tendency of anti oppressive democrats.
First of all, Yu Dafu strongly displays the writer's personality, which is the theoretical understanding of Yu Dafu's prose creation and his "heart of prose".He recklessly described his own thoughts and life details in detail in the article, which effectively demonstrated his unique style of "autobiography".Second, the melancholy and sentimental sentiment.Yu Dafu's prose is as distinctive as his novel. His melancholy and sentimental sentiment is deeply imprinted in his creation.Third, the self dissecting words of unbridled frankness and enthusiasm.Fourth, the tune of soul stirring poetry.
In addition, Yu Dafu's prose is a lyric way of unrestrained emotional catharsis. His prose gives out his own voice with a strong personality, full of sentimental poetry, warm and frank, without concealing the depressed mood of a talented intellectual in a troubled society, showing sadness, melancholy and beautifulMeaningful scene blending picture.[20]
literatureThe form and significance of sadness in
Yu Dafu is writing in the building outside
In Yu Dafu's works, his strong sadness is expressed in two forms: decadence and hatred.Since life is tasteless, natural is rigid, and self is also a waste - he can neither achieve success nor get rid of depression, Yu Dafu simply indulges himself.In his works, "Sad Travel" and "Return", we can see that he desperately vent one's instinct and try to satisfy himself in a sick state.This kind of emotion and behavior is obviously negative, which is unhealthy content in Yu Dafu's literary works, but it is not reactionary content, nor is it incompatible with the trend of thought of the times.Yu Dafu mainly uses this morbid state to vent his angerfeudal ethics The anguish of young people who have awakened in the fetters but cannot find a way out.Under this unhealthy color, there is still a positive implication of the May 4th "human discovery".[21]
Yu Dafu naturally sighed that he was born at a bad time. He turned all his misfortunes, all his troubles, and all his sorrows to this dark era of warlord scuffle, and sent a whining youth complaint to an inhumane system, showing an obvious anti imperialist and anti feudal democratic trend. Although this trend is not very profound, it has a clear attitudeBut the strong emotion also painted the color of active fighting on this tendency.
literatureThe epochal significance of the sentimental tone
Although Yu Dafu is extremely sad in his literary works, he has not given up his pursuit of ideals. Whether it is when he is overwhelmed by sadness or when he almost falls into a decadent situation, there is always an ideal in his heart that tempts him.This ideal is neither lofty nor profound, but for Yu Dafu, it has a great charm of life and is the driving force for his struggle and creation, which is women's love.
In 1927, Yu Dafu wrote in his diary: "If I can get Ms. Wang (i.eWang Yingxia——If you love, you will be more creative later.Ah!Life is worth living, and we can still get some meaning. "[22]On the one hand, Yu Dafu's sacred and wishful emotion towards women is certainly the expression of his "self" ideal, on the other hand, it clearly reflects the discovery of the five or four people.Zhou Zuoren is here《Human literature》As mentioned in, the discovery of women and children is the product of modern European civilization.For China during the May 4th Movement, the praise and obsession with women was not only a manifestation of modern consciousness, but also the most direct criticism of feudal ethics.Therefore, Yu Dafu pursues women as his own ideal. Although this behavior and artistic tendency do not have the attribute of "loftiness" in strength and depth, the anti feudal democratic consciousness is clearly visible.[23]
Literary propositions
Selected Collection of Yu Dafu
In his literary creation, Yu Dafu advocates that "literary works are all autobiographies of writers". Therefore, he often takes his personal life experience as the material for the creation of novels and essays, and in his works, he unabashedly outlines his thoughts, feelings, personality and life experiences.
The representative work of Yu Dafu's autobiographical novel is "Sink". In "Sink", Yu Dafu boldly describes the sexual love and sexual psychology of men and women, and at the same time, he also sends out the cry of "Motherland! Motherland! You killed me!" "Get rich quickly! Get strong!" "You still have many children suffering there".
Yu Dafu's novel creation challenged the traditional moral concepts and initiated the lyric and romantic form of autobiographical novels, which had a profound impact on a group of young writers at that time and formed a magnificent trend of romanticism in the Chinese literary world in the 1920s and 1930s.Yu Dafu is also the first writer in the history of Chinese new literature who has published a diary when he was alive.[24]
From his novels, he found something that collided with his own soul. Those literati who dared not break with feudal morality also pointed their spearhead directly at Yu Dafu.In his autobiographical novels, Yu Dafu not only reflects the lower intellectualsFrustrated、DepressionIn addition, some works reflect the sufferings of people at the bottom of society through the perspective of intellectuals, showing sympathy and concern for the working masses, such as《spring fever 》《Thin libation》Etc.[25]
Character evaluation
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Yu Dafu's Bronze Statue
Former Chairman of China Federation of Literary and Art CirclesXia YanDuff is a great patriot. Patriotism is the spiritual pillar of his life.[26]
Hu Yuzhi, a government activist: In the history of Chinese literature, the name of Yu Dafu will be forever engraved, and on the monument of the Chinese people's anti fascist war, the name of martyr Yu Dafu will also be forever engraved.[27]
Professor of the Chinese University of Hong Kong, internationally renowned cultural researcherLi OufanCompared with Guo Moruo's rebellious, rebellious and heroic "Prometheus type" romanticists, Yu Dafu can be said to be the representative of the negative and sentimental "Witter type". The protagonist in "Sink" can be said to fit the characteristics of this type of characters - "sentimental and neurotic", "melancholic and fatalist".[28]
Yu Dafu's son, Yu Fei: My father is a man with obvious advantages and disadvantages. He loves the country very much and is very enthusiastic about his friends. But he is too impulsive in life, so that his family and life are very unhappy.He is not a sage, but a scholar. Don't beautify him or uglify him.[29]
Yu Dafu's friend and artistLiu HaisuDuff is full of feelings, profound observation, quick thinking, and has a strong foundation in both classical and western literature.In terms of temperament, he is an outstanding lyric poet. Prose and novels are just the proliferation of poetry.His life is a long poem full of ups and downs and soul stirring.Such poets are few in the history of modern poetry.Among the new writers of literature and art, Lu Xun and Tian Han have few rivals.[2]
Modern Chinese litterateur and historianGuo Moruo: Yu Dafu's fresh style seemed to blow a spring breeze in China's withered society, which immediately awakened the hearts of countless young people at that time.His bold self exposure, for the hypocrisy of the scholar bureaucrats hidden in the back armor for thousands of years, was a storm like shock, which shocked some hypocrites and fake talents to rage.[30]
Chinese writerShen Congwen: Yu Dafu's name, "has become the most familiar name for all young people. Everyone thinks Yu Dafu is a poor person and a friend, because everyone can find his own appearance from his works".[31]
Anecdotes and allusions
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Life and death puzzle
Yu Dafu (right) and Guo Moruo, Snow
As Yu Dafu's disappearance is too mysterious, his life and death are still a mystery.[6]
A popular saying originated on August 8, 1946,Shao ZonghanSir, fromMedanInformation obtained by the intelligence service of Sumatran coalition headquarters.The news confirmed that the allied military authorities learned from the Japanese war criminals that Yu Dafu was shot by the Japanese gendarmerie on September 17, 1945. At the same time, the number of victims was still in Europe, and the remains were buried in Tanjung Gedai near Bukit Tingyi.However, there is a major doubt about this statement that is difficult to explain. That is, some researchers have read the trial records of Medan court, but they can't find any clues about Yu Dafu (Zhao Lian).If this is true, then the burial site of Yu Dafu and several Europeans killed at the same time should also be clear. However, Yu Dafu's remains could not be found in the whole Southeast Asia, so the reliability of this statement could not be confirmed.[6]
Love experience
In Yu Dafu, literature and love are mutually external and internal.The passion for love had already melted into his blood. Looking at his life, he was always flying the talent inspired by love, and then expressed it in literary creation, writing immortal chapters.Similarly, his love experience, like his famous literary works, glows with charming brilliance. In short, it has become a masterpiece handed down from generation to generation.[32]
Lu XunHe once wrote a poem to persuade Yu Dafu not to move because of the hardship of the worldHangzhouHowever, he "had a dream of Hangzhou when he was a child, and when he first came to Hangzhou, it seemed like a dream". Finally, from 1936 to 1938, Yu Dafu realized his dream of "settling down in Hangzhou". Although he only lived in Hangzhou for two years in a hurry, he drifted all his life and lived in many places. Only Hangzhou was the house, and he designed it himself.
Later, there was the famous seven verses in Lu Xun's handwriting, "Preventing Yu Dafu from Moving to Hangzhou": "King Qian still seems to be on vacation, and Wu Xiang can't be found with the waves. He calms down the Chu sun and hates the healthy man, and the hills are full of incense. General Yue is ignored in the graveyard, and the plum and crane are desolate in the scholar forest. Why does the whole family travel far away, and the wind and waves are mighty, and their feet are singing."[33]
Family members
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mother
Yu Dafu's mother, Lu's family, is in Xiaojing Liyuanli Village, more than ten miles west of Fuyang City, Zhejiang Province. There are not only the ancestral graves and burial hills of the Yu family, but also some old friends of the ancestors. Her marriage to the Yu family on Fuyang Street has a long history.Yu Dafu lost his father when he was young. He and his two brothers and sisters were all raised by his mother, Lu Shi.
wife
Yu Dafu and his wife Sun Quan[34]
Yu Dafu has been married three times. The three wives are:Sun Quan、Wang YingxiaHe Liyou.In addition, there was also a lover Li Xiaoying who lived together in Singapore.
children
The Sun family has 4 children: Yu Longer, Yu TianminYu LiminYu Zhengmin.
Wang has five children: Yu Fei, Yu Jingzi, Yu Yun, Yu Liang, and Yu Xun.
He has two children: Yu Daya and Yu Meilan.[35]
Commemoration for future generations
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Former Residence of Fuyang
The plaque inscribed by Feng Zikai in the former residence of Yu Dafu in Fuyang
Yu Dafu's Former ResidenceIn the Yudafu Park in Fuyang City, the low wall, a courtyard and the former residence of Yudafu are facing a thin, elegant, desolate and independent portrait of Si people.In the display window, two martyr certificates successively issued by the Central People's Government of the People's Republic of China and the Ministry of Civil Affairs have become a recent starting point for people to recall Yu Dafu's anti Japanese deeds today.In the lobby of the building, there are calligraphy and paintings donated by Yu's old friends, including Mr. Lu Xun《Self mockery》Seven meter poem axis.[36]
Yu Dafu's former residence, built in the 1930s, is a Chinese garden villa. It is located at No. 63, Guanlong, Daxue Road, Shangcheng District, Hangzhou City. It is called "Wind and Rain Thatched Cottage". It was purchased by Yu Dafu in April 1933 when he moved from Shanghai to Hangzhou with his family to avoid the political persecution of the Kuomintang.The former residence was built by scholars at that timeMa JunwuIt is entitled "Wind and Rain Thatched Cottage", designed by Yu Dafu himself.[35]
