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Zhaitan Dharma

Religious terminology
synonym set up an altar for prayer rituals (Zhai Jiao) generally refers to Zhai Dip in the ritual
Festivals refer to the exclusive religious ceremonies of Taoism with specific ceremonies. To sum up, Zhai can be divided into two categories: Qingjiao, which avoids disasters and prays for blessings, and Youjiao, which transcends the dead. In the process of the feast, the mage mobilized his original spirit, lowered the truth and sanctified himself, and then made statements to the table and appealed to God for mercy by completing a series of specific behaviors, such as meditating on God, stepping on vigorous steps and fighting, pinching and chanting mantras.
The Jade Emperor is the highest deity in the three realms of Taoism. Therefore, the compilation of the ritual ceremony of the Jade Emperor is highly valued by Taoist masters. As time goes by, its specifications gradually become the best in all kinds of disciplines. Due to the influence of factions and regions, many versions of the Southern Sect and the Northern Sect have been deduced in the Yudi Dynasty. What we are demonstrating is a condensed form of the Northern Quanzhen School's Jade Emperor Zhengchao.
Chinese name
Zhaitan Dharma
Definition
Taoist exclusive religious ceremony with specific demeanor
Classification
The Qingjiao of praying against disasters and the Youjiao of transcending the dead
Features
The mage completes the meditation and vigorous step fight
Festivals refer to Taoist religious rites with specific rituals. To sum up, Zhai can be divided into two categories: Qingjiao, which avoids disasters and prays for blessings, and Youjiao, which transcends the dead. In the process of the feast, the mage mobilized his original spirit, lowered the truth and sanctified himself, and then made statements to the table and appealed to God for mercy by completing a series of specific behaviors, such as meditating on God, stepping on vigorous steps and fighting, pinching and chanting mantras.
The Jade Emperor is the highest deity in the three realms of Taoism. Therefore, the compilation of the ritual ceremony of the Jade Emperor is highly valued by Taoist masters. As time goes by, its specifications gradually become the best in all kinds of disciplines. Due to the influence of factions and regions, many versions of the Southern Sect and the Northern Sect have been deduced in the Yudi Dynasty. What we are demonstrating is a condensed form of the Northern Quanzhen School's Jade Emperor Zhengchao.
Festivals music is a religious music that reflects the Taoist thought of "worshiping the saints and gods" and plays up the mysterious atmosphere of the Festivals. On the basis of absorbing the witchcraft sacrificial music of the pre-qin period, it took shape in the Northern Wei Dynasty. Later, with the personal participation and admiration of emperors such as Emperor Xuanzong of the Tang Dynasty, Emperor Zhenzong of the Song Dynasty, Emperor Huizong of the Song Dynasty, and Emperor Taizu of the Ming Dynasty, it has made great progress, and has formed a Taoist music system with distinctive national characteristics, rich tunes, and popularity. As a subsidiary of Zhai Jiao, Zhai Jiao music can also be divided into masculine and feminine rhymes. Solemnity and elegance are the main characteristics of Yangyun, whose purpose is often to praise the gods. Beautiful melody can dispel the world's worries; Yin Yun deliberately creates an atmosphere of sadness. The melody is bleak and sorrowful, making the living sad for the dead.
In the festival music, a large number of excellent tunes stand side by side. Among them, Tai Chi Rhyme, which is widely spread around the world, brings people into a realm of emptiness with solemn, transcendental and vulgar performance. The gentle Wenci makes people relaxed and happy, as if they are among the clouds. The Youming Rhyme, which is long and sad, reflects Taiyi's spirit of compassion and love for saving the suffering God. In "Fragrance of Returning Soul", the background music of one pity and three sighs sets off the ideological connotation of alerting life in rhymes.