rhyme classification of characters

[qiē yùn]
Rhyme written by Lu Fayan in the Sui Dynasty
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Qieyun is from the Sui Dynasty Lu Fayan Written by Rhyme book
Written on Emperor Wen of the Sui Dynasty elderly and virtuous The first year (601). Five volumes in total, 11500 words. Fen 193 Rhyme: Flat voice 54 rhymes, 51 rhymes for Shangsheng, 56 rhymes for Qusheng, and 32 rhymes for Rusheng. It was designated as official rhyme in the early Tang Dynasty. Addendum Many. The original book of Qieyun has been lost, and the phonetic system it reflects is due to《 Song rhyming dictionary 》It will be handed down completely after being updated. There are two most complete editions in existence, one is Tang Dynasty Copybook Wang Renxu To publish fallacies to fill gaps and rhyme 》, one is Northern Song Dynasty Edited by Chen Pengnian et al《 The Song Dynasty rebuilt Guangyun 》。 The original version of Qieyun has been lost. The National Library of Paris, France has three kinds of fragments of Qieyun from Dunhuang Tang Dynasty, which are the most ancient Lu Fayan Compile the closest version of Qieyun.
Title
rhyme classification of characters
Author
Lu Fayan
Category
Rhyme book
Publication time
601 years
Status
The original has been lost, and the revised version exists
Total number of words
11500 words
Number of volumes
Five volumes
Age
The first year of Renshou of Emperor Wen of the Sui Dynasty

brief introduction

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Qieyun Emperor Wen of the Sui Dynasty the name of a kalpa (581-600 AD), Lu Fayan 's father Lu Shuang Lu Fayan wrote Liu Zhen Yan Zhitui Lusido Li Ruo Xiao Gai Xindeyuan Xue Daoheng Wei Yanyuan, eight famous scholars at that time Lu Fayan The principle of judging sounds discussed and agreed upon at the family meeting was written down and completed in the first year of Renshou of Emperor Wen of the Sui Dynasty (AD 601).
The original book of Qieyun has been lost for a long time, modern times There are also books in succession Remnant copy Unearthed, it can communicate with《 Song rhyming dictionary 》Affirmative evidence. The whole book Rhyme It is divided into 193 rhymes; The rhyme is divided into four parts: flat, upward, downward and inward. The words with the same rhyme Sound category Waiting for call Sort. therefore Homophone All are grouped together. Each sound is preceded by a circle (called rhyme button), and the first word is followed by Antitangent Phonetic notation. Each word has a meaning.

Synchonic phonology

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overview

Scholars generally agree that Qieyun reflects that chinese Voice of. This phrase Phonology The integrity of the system was also preserved in the later《 Song rhyming dictionary 》, even《 Alliteration 》Wait for the book. Therefore, the voice system recovered from the last two is called“ Synchonic sound ”, as Ancient Chinese On behalf of. But how to understand this "Qieyun sound"? Some scholars believe that it is a place at that time, such as Luoyang It is generally believed that Qieyun represents the pronunciation used by the literati in Jinling and Luoxia (today's Luoyang) in the late Southern and Northern Dynasties. However, some scholars believe that Lu Fayan is from Hebei and Yan Zhitui is from Shandong. Lu Fayan《 Syncopation preface 》He also said: "Xiao Yanduo decided to make more careful selection and cut, except for cutting, easing and slowing, because of the right and wrong of the north and south, and the ancient and modern congestion." If it is only to record the actual voice, why should it Discussion and decision What about? Because of the deduction of "Qieyun sound", it is at least a compromise between the northern and southern phonology (the so-called southern and northern phonology should mainly refer to the official sounds of Jinling and Luoxia at that time, which originated from the old Luoyang phonology, rather than the southern and northern Chinese dialects).
Many rhymes in northern dialects have been indistinguishable since the era of Qieyun. Taking Yuyu as an example, in the preface of Qieyun, it is said that "Zhizhi Yuyu is not rhymed." It means that "Zhizhi and Zhiyu" and "Yuyu" do not belong to the same rhyme, but have different pronunciations. Yan Zhitui also gave an example in the Yan Family Instructions: "Northern people regard the common people as garrisons, Ru as Confucianism, and Zi as their sister.". This means that the northerners at that time had no distinction between fish and Yu. [1]

Consonant

1. And Thirty-six letters Comparison of:
Pentatonic
Complete clearing
unvoiced apirated
aspirated voiced stops and voiced affricates
Secondary turbidity
clear
turbid
Labial sound
bilabial sounds
Help p
Pang
And b
Ming m
-
-
labiodental
Non pf
Apply pf ʰ
Fengbv
Microplate
-
-
Glossal sound
tongue
End t
Penetration
Fixed d
Mud n
-
-
the tongue
Knowledge
Thoroughly
Clarify
Mother
-
-
dental
apico-dental
Fine ts
Clear ts ʰ
From dz
-
Heart s
Evil z
Spur tooth
As per t ʃ
Wear t ʃʰ
Bed
-
Review
Zen
velar sound
-
See k
Stream
Group g
Doubt
-
-
Guttural sound
-
Shadow
-
-
Yu j
Xiaox
Cartridge ≮
Semilingual sound
-
-
-
-
Come l
-
-
Semidental sound
-
-
-
-
Daily
-
-
Initial consonant of Qieyun
Pentatonic
Complete clearing
unvoiced apirated
aspirated voiced stops and voiced affricates
Secondary turbidity
clear
turbid
Labial sound
bilabial sounds
Help p
Pang
And b
Ming m
-
-
Glossal sound
tongue
End t
Penetration
Fixed d
Mud n
-
-
the tongue
Knowledge
Thoroughly
Clarify
Mother
-
-
dental
apico-dental
Fine ts
Clear ts ʰ
From dz
-
Heart s
Evil z
Spur Teeth Second Class
Zhuang
Initial
Chong
-
Health
Wait until
Spur Teeth Third Class
Chapter tf
Chang
Ship
-
Book f
Zen
velar sound
-
See k
Stream
Group g
Doubt
-
-
Guttural sound
-
Shadow
-
-
Cloud
With j
Xiaox
Cartridge ≮
Semilingual sound
-
-
-
-
Come l
-
-
Semidental sound
-
-
-
-
Daily
-
-
2. Comparison with modern mandarin initials:
(1) Void and clear: and b, ding d, cheng, cong dz, xie z, chong d, yi, chuang d, chan, qun g, xia;
(2) Lip sounds differentiate into f;
(3) Zhi Checheng, Zhuang Chuchongsheng, Zhang Changchuan Calligraphy Zen Combined into t ʂ, t ʂ, t ʰ and t ʂ;
(4) The combination of the three words of "shadow, Yu," "doubt," "bright mother" and the few digits of "Japanese mother" Zero consonant
Note: In ancient Chinese, "merge" and "merge" are two different characters, not the relationship between simple simplified characters and traditional characters; In addition, the initial consonant of "merger" is a clear, unaspirated sound [p], that is, the initial consonant is a bang, while the initial consonant of "merger" is a voiced sound [b], that is, the initial consonant is a union.

Finals

1. General characteristics: Rhyming many
Rhyme: first, second and fourth class Preposition , the closing mouth has a U sound; The third class opening has an i sound, and the closing mouth has an iu sound.
Metrical abdomen : First class rhyme is Postvowel , second-class low, secondary low vowel , fourth class Prevowel And third class have i prepositions.
Rhyme tail Masculine rhyme There are nasal rhymes m, n and ŋ; Entering rhyme yes Stop coda p、t、k; Yin rhyme There are zero endings, i and u endings.
2. And mandarin Comparison of vowel systems:
Qieyun has more finals than Putonghua, and development and merging are the mainstream.
【1】 Tong, Yu and Zeng are combined into one category of words sharing the same final
【2】 Jiang and Dang merged into one rhyme department
【3】 Zhen and Shen Zhao merge into one rhyme part
【4】 Shan and Xian photography merged into one rhyme part
【5】 Encounter photography, effect photography, fruit photography and flow photography are merged into a rhyme part.
【6】 Differentiation and merger of Zhihe, Xixie and Pseudophotography
【7】 The important changes of rhyme ending: the salty and deep m rhyme ending changes into n rhyme ending; The plosive ending p, t and k of entering rhyme disappear, Entering tone character It turns into yin rhyme.

tone

Comparison with modern mandarin:
Qieyun: flat, upward, downward, inward

Later influence

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Qieyun standardizes Rhyme book The style of revision has been in use from Sui and Tang dynasties to modern times. And its induced phonetic system《 Tang rhyme 》, Guangyun《 Alliteration 》Such supplements, which come down in one continuous line, have always been officially recognized as orthodox.
Several hundred years after Qieyun was written, its pronunciation was similar to that of Wu. Many rhymes in Qieyun were in the middle of Tang Dynasty Huilin The Guanzhong phonology of the period began to merge in large numbers, so that some people in the late Tang Dynasty publicly accused the "Qieyun" phonology of Wu. [2 ]