Clip to Color 0 Basic novice film and television production, we media post core training course

abstract

This course is designed for students with zero foundation, covering all aspects of film and television production skills from editing to color mixing. Students will learn video clips, special effects addition, color mixing technology and other contents, improve their skills through practical projects, and lay a solid foundation for film and television production.

This course is designed for students with zero foundation, covering all aspects of film and television production skills from editing to color mixing. Students will learn video clips, special effects addition, color mixing technology and other contents, improve their skills through practical projects, and lay a solid foundation for film and television production.

Course content

Section 01 00 Da Vinci Pilot Video

Section 02 is suitable for the crowd. It must be seen before learning!!

Section 03 01.1 Novice goes on the road to master Da Vinci and UI interface

Section 04 Project management logic of Leonardo da Vinci before 01.2

Section 05 Da Vinci 18.5 Important Updates Get familiar with the differences

Section 06 02 Efficient clipping and multi stands of quick editing pages

Section 07 03 A series of technical ideas for optimizing editing

Section 08 04 Necessary Whole Process Settings

Section 09 05 Import Material and Media Management

Section 10 06 Pre editing technology synchronization and identification clips

Section 11 07 Start rough cutting core editing technical ideas

Section 12 08 Linking offline media and adjusting editing order

Section 13 09 Trimming tool fine cutting optimization clip

Section 14 10 Add transitions, effects, keyframes, speed changes

Section 15 10.2 Accelerate clip preview and render cache optimization

Section 16 11 Add title rich text and fusion template

Section 17 12 Adding Sound Effects to the Timeline Using Tags

Section 18 13 Audio standardization level monitoring and correction

Section 19 14 Add Effect in Fusion

Section 20 15 Making dynamic graphic title animation in Fusion

Section 21 16 Introduction to Da Vinci Color Mixing Interface

Section 22 17 Color mixing process and color management

Section 23 18 Use curves for primary color mixing

Section 24 19 Use of secondary color limiter

Section 25 20 Color blending function of twisted spider web

Section 26 21 Color grading Lut system and stylization

Section 27 21.2 Node Type and Commercial Coloring Node Tree

Section 28 22 Editing Sound in Fairlight

Section 29 23 Sound Effects Production and Mixing Bus

Section 30 24 Settle the knowledge derived from the completion delivery

Section 31 01 In depth color mixing learning starts from workflow

Section 32 02 Primary color wheel to establish hue and contrast

Section 33 03 Curve tools are more flexible to draw contrast

Section 34 04 Correction of colors using curves and color wheel color cards

Section 35 05 Understand the working principle of the log color wheel

Section 36 06 Establish shot matching strategy

Section 37 07 Subtle Use Flag to Screen Lens

Section 38 08 Automatic and manual color correction strip for lens matching

Section 39 09 Curve tool for lens matching

Section 40 10 Secondary Coloring Guide Audience Attention

Section 41 11 Secondary color sharpening plus window tracking

Section 42 12 Three methods of secondary color sky replacement

Section 43 Replacement of haze days with external masks

Section 44 13 Color Warp Select Target Color

Section 45 14 Automatic facial beauty repair tool

Section 46 15 Manual repair of skin color HSL curve tool

Section 47 16 sets of bottom batch use XML import timeline

Section 48 17 Check the bottom sleeve synchronization offline reference

Section 49 18 Time of proofreading confirmation

Section 50 19 Proofreading II Review of High Resolution Fragments

Section 51 20 Set of bottom creation agent version

Section 52 21 Workflow color space management

Section 53 22 Management of Multiple Color Mixing Styles in Local Version

Section 54 23 Additional nodes do not destroy the original node tree

Section 55 24 Shared nodes facilitate batch color matching

Section 56 25 PowerGrade Save Still Frame Across Projects

Section 57 26 Ripple operation lens transfer and color mixing

Section 58 27 Copying ColorTrace

Section 59 28 Copying a Color Palette Using a Timeline Set

Section 60 29 Real time line demonstration of remote version

Section 61 30 Remote version DIT related applications

Section 62 31 Understanding node logic from node sequence

Section 63 32 Protect the influence of skin color node order on keys

Section 64 33 More scientific color mixing parallel node mixer

Section 65 34 Practical Operation of Layer Mixer Secondary Color Mixing

Section 66 35 Color mixing, green cutting and transmission track transparency

Section 67 36 Tracking and composition in external mask color mixing

Section 68 37 The magic mask is really magic

Section 69 38 Scene clipping detection split lens tinting

Section 70 39 Resolution Masking Super Scaling and Lossless Amplification

Section 71 40 Proper Use of Sizing Tools

Section 72 41 Object Erasure, Local Replacement and Acne Removal

Section 73 42 Object removal is better than AE

Section 74 43 Application of keyframes in color mixing system

Section 75 44 Noise reduction black technology makes the picture cleaner

Section 76 45 Optimize settings for accelerated rendering cache

Section 77 46 Color group naming management and screening

Section 78 47 Uniform color normalization of segments before group

Section 79 48 Group segment specific lens specific adjustment

Section 80 49 Unified stylized coloring of clips after group

Section 81 50 Coloring at Timeline Level

Section 82 51 Flow of processing Raw media

Section 83 52 Processing BMD Raw Materials

Section 84 53HDR color wheel depth explanation

Section 85 54 Use light box for quality management

Section 86 55 Rendering workflow presets

Section 87 56 Configure Timeline for Cinema

Section 88 57 Rendering DCP Digital Movie Package

Section 89 58 Exporting Versions Using the Commercial Slice Workflow

Section 90 59 Advanced rendering settings

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