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There is profound meaning between the stippling and painting, and the family style has been handed down for generations - famous calligraphers Gao Dai and Gao Yuan's father and daughter walk into the cultural horizon together

Sina Shandong

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On the afternoon of June 14, Gao Dai, a famous calligrapher, a member of the Chinese Calligrapher's Association, the sixth member of the Shandong Calligrapher's Association, and a senior painter of Shandong Academy of Painting, walked into the cultural horizon together with his beloved daughter, young calligrapher, assistant dean, associate professor, master's supervisor of the School of Arts of Shandong University of Finance and Economics, a member of the Chinese Calligrapher's Association, and Dr. Gao Yuan, deputy secretary-general of the Shandong Calligrapher's Association, Accept an exclusive interview with China.com Shandong&Cultural Horizon.

The sun is scorching outside, and the tea rhyme is light inside. Liang Hongwen, chairman of China.com Shandong&Cultural Horizon, met his old friends with tea, and the three people gathered together to share their hometown feelings. We shared our recent anecdotes with each other and recalled our old friends together.

After tea tasting, Chairman Liang Hongwen invited guests to visit the Chinese art space and appreciate the paintings of famous artists. During the visit, Chairman Liang Hongwen shared the stories and cultural implications behind many calligraphy and painting works. The three people watched the works of the Northern and Southern Chinese Painting School together, and sighed about the influence of the differences in the natural environment and cultural background between the northern and southern regions of China, which created the richness and diversity of Chinese landscape painting art.

Later, the three people came to the collection and editing center and jointly "Cloud View" the calligraphy works published by the two calligraphers on the Internet. Mr. Gao Dai recalled his experience when doing works exhibition at that time and said, "Calligraphy is the voice of the heart. The happiest thing for a calligrapher is to be able to express his heart, feelings and real feelings about life through calligraphy."

After visiting the exhibition, the group walked into the Yunjian Studio, where two calligraphers began to create calligraphy art. In the Cloud Studio, time becomes slow and the atmosphere becomes quiet. During the creation, father and daughter also constantly discussed the stippling, brush application and space frame structure of the exchange font, as if they were integrated with the calligraphy art. Watching the creation process of the two calligraphers, we can also feel their inner peace and concentration. They passed on a kind of enjoyment of beauty through calligraphy, which makes people immersed in it. Mr. Wei Qihou, a famous calligrapher, once commented that "Gao Dai's brushwork is thick and simple, deep and graceful, and always contains flowing and interesting ideas." Professor Gao Yuan is dignified and elegant, and has profound theoretical research and creation skills in calligraphy. Her works are warm and beautiful, full of unique feminine charm.

  Go back to the source and never forget the original intention

Mr. Gao Dai has been sticking to the tradition in his calligraphy for decades, and constantly seeking innovation and self breakthrough. He has always maintained a reverence for the art of calligraphy, and deeply understood and inherited the essence of calligraphy. He extensively dabbled in and deeply studied the calligraphy style, took part in the seal script and clerical brushwork, and integrated the massiness and simplicity of ancient characters into his calligraphy creation, making his works have a sense of history and modern flavor. Mr. Gao Dai said, "In the 1990s, Mr. Wei Qihou told me, 'Learning calligraphy still needs to go back to the source, and never forget the original intention, so he gave me a chant called' Traceability Hall '. ’China has thousands of years of cultural tradition. We should pursue and explore it. We should learn from the ancients, learn those excellent traditional cultures, and uphold the nature. This is also my calligraphy concept. "

Tradition is the soul and innovation is the wing

Professor Gao Yuan is the first female doctor of calligraphy who teaches in Shandong universities. She has solid calligraphy skills and profound theoretical knowledge of calligraphy. She has published many calligraphy research achievements in important national journals such as Chinese Calligraphy and Chinese Calligraphy Daily. She said, "The innovation of Chinese calligraphy is a very important topic. Innovation is closely related to the modernity of calligraphy. Every era has its own proposition, whether painting or calligraphy. As far as artists are concerned, since Wang Xizhi, Chinese calligraphers of all dynasties have inherited from the two Wangs, but they still have their own face and language, which can make extraordinary achievements. But from the perspective of artist groups, an artist also has the characteristics of the times. Liang Jia, a native of the Qing Dynasty, once mentioned that 'the calligraphy of Jin Dynasty is in favor of rhyme, the calligraphy of Tang Dynasty is in favor of law, and the calligraphy of Song Dynasty is in favor of meaning', and 'the calligraphy of Jin Dynasty is in favor of rhyme'. At that time, the calligraphy of many important families, such as the Wang family and the Xie family, reflected a taste for rhyme, and the common characteristics of calligraphy art of an era were jointly constructed by these calligraphers. For contemporary calligraphy, it also needs innovation if it wants to develop and create a new era of brilliance. "

The pen and ink young inherit the family's deep learning, and the strokes show the sincerity

Calligraphy is a very important part of Chinese traditional culture. Mr. Gao Dai has profound attainments in calligraphy, and his influence on Professor Gao Yuan is very profound and lasting. This influence is not only reflected in the inheritance of calligraphy skills, but also reflected in the inheritance of culture and spirit. On Father's Day, Professor Gao Yuan talked to the reporter about his father, Mr. Gao Dai. "Some time ago, my father was sorting out his calligraphy works, which touched me very much. When I was very young, my father had been writing every day after finishing his job and returning home, and kept writing, setting a good example for me. His father began to study books at the age of 20. He learned from Erwang, Mi Fu, Huang Tingjian in his early years, and then to Huang Daozhou, Ni Yuanlu and other romantic calligraphers in the Ming Dynasty. He not only learned calligraphy, but also the calligraphy of the stele school, such as Han and Wei steles, Zhong Ding inscriptions, etc. My father still has high requirements and persistent exploration for calligraphy despite his busy schedule, which has a profound impact on me. " She also said, "I was greatly influenced by my father when I embarked on the path of calligraphy creation. Under his influence, I began to learn Tangkai when I was young. When I arrived at college, I began to pursue the path of professional calligraphy research. Later, in calligraphy, I found my temperament and self, and also found my own language. Calligraphy has shaped my personality, and calligraphy art has become an integral part of my life. "

Finally, the three people took a group photo with their calligraphy works to mark the end of this calligraphy art feast. The sincere father daughter relationship between Mr. Gao Dai and Professor Gao Yuan makes people moved. Their artistic achievements and life experiences also encourage more people to participate in the creation and appreciation of calligraphy, and they jointly promote the prosperity and development of China's excellent traditional culture.

Source: Cultural Horizon Network

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