The Classified Narrative of Modern Chinese Reading in the Senior High School Entrance Examination: A Person's Running

Sanchunhui means the bright sunshine in spring, which means the kindness of a loving mother. Sanchun, formerly called Mengchun in the first lunar month, Zhongchun in February, and Jichun in March, is collectively called Sanchun. Hui, sun. A mother's love is like the warm and genial sunshine in spring shining on her children.

Pinyin: s  n ch ü n hu ī.

source:

Meng Jiao, a poet of the Tang Dynasty, wrote in The Wanderer's Ode: "The line in the mother's hand, the jacket of the wanderer's body; the seams are tight before leaving, and the mind is afraid of returning late. Who can say that the heart of grass can be rewarded by the three spring glow?"

Translation:

The mother used her needle and thread to make clothes for her son. Before leaving, the clothes were sewed closely, afraid that his son would come back late and his clothes would be damaged. Who dares to say that children's weak filial piety like grass can repay their motherly kindness like the spring sun?

Word notes:

1. Traveler: In ancient times, it was called a person who traveled far away.

2. Yin: Poetic name.

3. Pro: About to.

4. Fear: worry.

5. Go back home.

6. Who said: a "difficult general". Speak, speak.

7. Inch grass: grass. Here is a metaphor for children.

8. Heart: semantic pun refers to the stems of plants and trees as well as the wishes of children.

9. Reward: Reward.

Appreciation:

Deep maternal love bathes children all the time. However, the most memorable moment for Meng Jiao, a vagrant who has always been displaced and has no fixed residence, is the painful moment when mother and son separated. This poem describes the ordinary scene of a loving mother sewing clothes at such a time, but it shows the poet's deep inner feelings.

The first two sentences, "The line in the mother's hand, the coat of the wandering son", are actually two phrases, rather than two sentences. In this way, from people to things, we can use the two most common and common things, "line" and "clothes", to closely link "the loving mother" and "the wandering son", and write the feelings of the mother and the son that depend on each other. The next two sentences, "Before leaving, I am afraid of returning late", describe people's actions and attitudes, and focus on the mother. Here, through the depiction of the action and psychology of the loving mother making clothes for the wandering children, we can deepen the love between mother and son. At this moment before leaving, the mother's thousands of stitches and threads were "closely stitched" because she was afraid of her son's "delay". It is through the details of daily life that a loving mother naturally reveals her deep and sincere feelings. Simple and natural, kind and touching. There are neither words nor tears here, but a pure love overflows from this common scene.

The first four sentences use the line drawing technique without any modification, but the image of a loving mother is really moving. The last two sentences are the sublimation of the first four sentences. With the intuition of the people involved, they have a deeper meaning: "Who speaks in grass, will be rewarded by the three Chunhui." The author expresses his mind and sings the praises of maternal love heartily. These two sentences use the traditional technique of comparison. Children are just like grass, and maternal love is like the sunshine in spring. The suspended contrast and vivid metaphor express the ardent emotion of the red son to his mother from the bottom of his heart.

This is an ode to maternal love. Under the circumstances of failure in the official career, the poet experienced the inconstancy of the world and was depressed for life, so he felt the value of family love more. "Poetry comes from the heart, and often comes out of the heart" (Su Shi's Reading Meng Jiao's Poems). This poem is fresh and smooth, though it is free from caricature and sculpture. The rich and mellow beauty of its poetic flavor can be seen in its simplicity.