North Korea has reached an unprecedented level in terms of technology, variety, quality, output and skills. The advent of "Kangxi Colorful", "Yongzheng", and Qianlong's "Enamel Color" and "Fencai", as well as Langyao Red, Meirenzui, Coral Red, Carmine Red, Black Gold Glaze, Sky Blue, Ji Blue, Sprinkle Blue, Tea Powder, Sanyang Kaitai, and Kiln Change Flower Glaze, greatly enriched the ceramic decoration, showing that Jingdezhen porcelain workers have reached a high level of proficiency in the use of various decorative techniques and colors The state of perfection. Later, "Eight Friends of Zhushan" applied Chinese painting to ceramic decoration, and created porcelain painting techniques such as "ground pastel" and "peach blossom on water", forming a generation of painting style, whose afterglow still exists today. The prototype of Shiwan artistic ceramics can be seen from the paddy field boats, pottery houses, livestock and other ceramics unearthed in Hanji. The Ming and Qing dynasties were the prosperous period of Shiwan artistic ceramics. There are many kinds of Shiwan artistic ceramics, including figures, animals, utensils and micro sculptures. Ceramic figures and animals are lifelike, interesting and lifelike, and micro sculptures are small to see the big. Elegant and interesting natural objects are various and colorful. After the founding of the People's Republic of China, Shiwan Artistic Ceramics has become more and more popular, and new people have emerged in large numbers. Seven Chinese arts and crafts masters, four Chinese ceramic masters, and well-known ceramists have emerged in succession. Shangong bonsai, also known as ceramic micro sculpture, is a traditional ceramic handicraft originally created by Shiwan. It is said that it was first created by an artist named Liu Lai in Shiwan during the Guangxu period of the Qing Dynasty. The characters in Shiwan pottery are the immortals because the Shiwan clay is highly plastic, and its color is brown after burning, which is suitable for shaping healthy and strong people with muscles and bones and the rough and deep skin of the elderly. Therefore, in the Shiwan pottery, the images of men and the elderly are more than those of women and children. Birds, animals, insects and fish have appeared in pig, cow, chicken and duck shapes as early as the unearthed cultural relics in Han tombs. Most of the people who used to be engaged in the production of artistic pottery were disabled, old and weak people, women and children. Because they could not actively participate in the work of daily pottery, they could only use leftover clay and glaze to build and burn them in the corners of the kiln, which was somewhat entertaining. Fruits and melons In the early Qing Dynasty, some people also made fruits and vegetables. Most of these ceramic artists are old and weak women and children born in rural areas. In the past, they can easily take a melon and fruit as a mold to make them, or they can make a variety of art daily necessities or decorations based on the mold with slight decoration and embellishment. The architectural tile ridge, also known as the "flower ridge", is a pottery sculpture decorated with various figures, birds, animals, fish, insects, flowers, pavilions and pavilions on the roof ridge. The flower ridge is divided into the main ridge (the roof ridge of the main hall) and the viewing ridge (the top ridge of the back porch), which are made up of several sculptures, often representing a theme, a story, or a main character. The glaze color applied to the ridge of flower is mostly deep and steady blue, green and brown yellow, because the ridge of flower is set against the sky curtain, and the application of such glaze color can avoid dazzling defects. The figures in the front yard of Qingzhen Building in Foshan Ancestral Temple still preserved today look at the ridge of "Jiulong Valley", and the sculpture shows the scene of Yang Family General fighting against Jiulong Valley.