Every designer has a city in his heart, which stores the beauty and inspiration collected from the world. One day, the city gate will open to show you how to practice beautiful design. Tan Xin She is a file of China Interior design The in-depth interview column of teacher media presents the true heart of Chinese interior designers: behind the design is their profound understanding of life.
This episode's guest Meng Jianguo
In the 1980s, the design in the embryonic period was still talking about style and genre, and industrial design and interior design seemed to be very chaotic. In this gap, there appeared a group of contemporary designers in China, who steadily piloted the front end of China's design industry like helmsmen. Meng Jianguo, a famous designer, is the most important voice and representative of the new generation of Chinese design industry, and also a trump card in the Chinese design industry. He has led the design team to create countless familiar classical buildings and interior works.
Meng Jianguo, the designer, has unique views on design. His three-dimensional construction method endows design with more levels of connotation. He advocated the three-dimensional structure of design, art and technology to meet the requirements of the changing times with strong adaptability. Meng Jianguo, the designer, tries to endow space with multiple characteristics of humanity, culture and art. Because design is attractive only if it is artistic comfortable Only in this way can we be human. "Good looking is not easy to use. It is definitely not called design. Good looking is not good looking. It is also not called design. Design is only good looking and easy to use."
Is imitation design design?
Imitation may exist forever. Because good design or beautiful things can make people resonate. This resonance has great centripetal force and makes people yearn for it. ——Meng Jianguo
Imitation design is the primary stage of design. Like painters, whether Leonardo da Vinci painted eggs or Qi Baishi painted shrimp, imitation is a primary starting point for designers to learn. But imitation is only the beginning, and design must have self innovation and creation to have vitality. China's design has developed so fast that a hundred flowers bloom in design. It is no longer a blind follower before. From the initial imitation to the original design of more and more excellent designers in the world context. They have completed the inheritance and transformation between new and old design in the new era of China. One group after another of outstanding young designers modern The design language expresses the contemporary new residence in China, and interprets the existing life aesthetics and taste of Chinese people. Chinese design has left the stage of imitation and entered a process of creation and self renewal. Chinese design has completed the transformation period of self breakthrough. And this period of change is just like Meng Jianguo, a designer, a beacon for many young designers.
Design is an artist's skill
When design reaches its ultimate level, more and more people will understand it, because design is a practical art. ——Meng Jianguo
Design is an artist's technology, which is interlinked with art. At least half of its functions are linked with art. The sense of immersion generated by multi sensory experience based on vision and experience synaesthesia, and the emotional connection between design and art need to generate a comprehensive field of space through the perception and cognitive expression of design. Design combines artistic, emotional and aesthetic factors in a technical way to release emotions in space. A high sense of immersion means that people feel happy and satisfied in the current situation, which forms a unique interactive narrative space*** Our design must be to moisten things and create maximum value with the least money. This is the design technology of * * *. At the same time, design can be completely integrated with art. I think design is the combination of art and technology. Art has no end, and design has no boundaries.
I always think, and always want to do, is to integrate design and art. The real purpose is to let art enter the family. Let all our people resonate with beauty. I think this is what artists and designers do together.
The design of 2006 still seems to coincide with the current lifestyle, because the design is to think ahead and intervene in advance. A good designer must have the foresight ability to make overall layout and overall planning for space users, creativity and foresight of possible situations in this space, and life details. Designers, sometimes planners, should be sensitive and prescient in judging future trends.
As an organism of the city, design can no longer be reduced to the replica of this era with a single mode and design. Delicate and rhythmic slow speed, quality life, mostly start from a trip, a hotel. Just like the emergence of buildings, they are no longer just cosplays under the industrial template, but differences and possibilities nurtured in the style and life needs. Design needs a reshaping and new expression to awaken new functions. In many countries, the blocks of each era are connected and independent, and they have a sense of history. Many historic cities, such as Rome, have broken floor tiles and will be preserved. But in the first tier cities in China, the modernization process is too fast, and the old buildings are replaced by the modern design. You can't even tell the old buildings from the old ones Beijing Compared with the old Shanghai, there seems to be no great difference between cities.
A good design should be to integrate culture into the design with modern means, design concepts and materials. What is the key to the core kernel design? Design, art and technology are included. Design should be comprehensive, and imagination and creativity are particularly important.
There are too many works designed for design in this era, and what we need is not only beautiful architectural shells and beautiful indoor furnishings, but also an exclusive identity recognition and attributes given by geo cultural aesthetics, to create the living state of contemporary people and express the life attitude that belongs to this generation. Breaking standards and unchanging design patterns, no matter innovation or change, need to set a note for the work. The spirit of a well designed field puts people in it, but it can "unconsciously" create a harmonious interdependence and emotional resonance with the indoor environment.
Meng Jianguo, the designer, represents the pride and achievements of an era, but not only because of many famous design projects, but also because of the design industry that he constantly promotes innovation and change, and the unique "field spirit" that each design work carries and continues. His design integrates the spirit of local culture, condenses multiple factors such as people, space, environment and atmosphere, and integrates the social characteristics and temperament of local cultural context in his works to inherit in Chinese design and design industry. Each era has its unique personality, and each era has people worthy of praise. In the name of design, we pay tribute to senior designers who have contributed to and promoted Chinese design, and to designers such as the famous designer Meng Jianguo.
