Source: Beijing Youth Daily

In the movie "The Wind Is Quiet", choose Daliang to play the most miserable role

Zhang Yu of "Unstable": I have been very worried

By Xiao Yang, reporter of Beijing Youth Daily

The movie "The Wind Is Quiet" is being released. This is the first time Zhang Yu has chosen Daliang as the leading role. His meaningful "eyes" have penetrated countless people, which is described by the audience as "bursting out like a trapped animal".

The Silence of the Wind unfolds with the out of control life of the hero Song Hao (Zhang Yu). Under the waves of fate, he is forced to be involved in a murder case, and from then on, people and things around him gradually move towards destruction. Zhang Yu's performance in "I'm not the God of Medicine", "Nobody" and "The Elephant Sits on the Ground" has made the producer Don He and director Li Xiaofeng of "The Wind and the Waves Are Quiet" think that Zhang Yu is the best candidate to play Song Hao. Facts have proved that Zhang Yu's performance has met the expectations.

　 Like the boy who stole the fox in the fable

Song Hao is a character that distresses Zhang Yu

When reading the script of "The Wind Is Still", Song Hao, the character, reminded Zhang Yu of a fable about a Spartan boy who stole a fox and hid it in his clothes. The fox bit his flesh and chest crazily. Because the fox was stolen, the boy kept silent and endured because he didn't want to expose his stealing behavior.

In Zhang Yu's opinion, the boy in the fable is the same as Song Hao in the core

Zhang Yu said that the role of Song Hao is very painful. It is the most bitter and tragic role he has ever played, but it is also the bravest role.

In Zhang Yu's opinion, all Song Hao's behaviors are self preservation, including those reactions to stress. "In fact, he didn't commit crimes on his own initiative, but because of this, his whole life went astray. He wanted to leave this place, but he was pushed and pushed all the time. He had no initiative at all. Isn't it sad that a person who has no initiative in his own fate? He is too painful and passive. The only choice he made was to propose to Pan Xiaoshuang, the woman who had been warming him like a fire. This was his most courageous proposal. But because he stayed here, he was wrapped in a bigger whirlpool and sank deeper and deeper. "

Zhang Yu thinks that many of Song Hao's behaviors cannot be simply evaluated, "I think that many choices in life are actually difficult to judge with the dualism of right and wrong. His fate has a direct relationship with his father. Later, he will soon become a father. As his little life draws near, his inner torment becomes more and more serious day by day. The fox bites him more bitterly, so he has to solve it. He can't face the coming child in his current status, so he has to make an end of it, It was the bravest time for him, not only for himself, but also for the coming life. I admire Song Hao very much. He can choose to face his own destiny directly. I think one of the key things that moved me about this character is that he has been so passive under pressure. He didn't take the initiative. He decided to propose to Pan Xiaoshuang twice, and the second time was the last time to break free. He decided to break the rope that bound him. "

　 Love wants to play a black hole

The director was moved by the details of buying milk powder

Director Li Xiaofeng said that Zhang Yu loved the role and he had paid a lot for it. I said in an interview that "all geniuses are suffering". I think Zhang Yu is both an emotional genius and a performing genius. As he said, he wants to act as a black hole, that is, when all the light shines on him and is completely submerged. At the same time, he also became the character in details. For example, I didn't notice the scene when I filmed the supermarket buying milk powder. He still took milk powder from the back of the shelf (the near production date). I saw this scene when I was editing it. I said I was very moved. This is a good actor. "

Huang Bo, the producer in charge, also recognized Zhang Yu's performance. "Everyone can see that he is a very good actor. This time, he can be stable, which is also a performance that he is becoming more and more mature. Performance does not have to be so hard to perform. Convergence is also a performance. Convergence is actually very advanced."

For his performance, Zhang Yu thanked him for meeting a good partner and cooperating with so many good actors. He praised Wang Yanhui, who played the father, for his decisive temperament. "Huige performed the patriarchal thing, and it can be seen that this character was forged, and his face had the sense of vicissitudes of that character. One scene came out of the airport, and I had a showdown with him. I forgot what the original words of the play were. At that time, Huige wanted to say a word, but he had to ask me to pad a word for him, but I couldn't pad that word. When the play was going, the director was always there to balance... At the beginning of the play, we stopped there after one or two sentences, and stopped for about three minutes, neither of us was willing to compromise. He has his insistence, and I have my insistence. Later, we found a way for everyone to be comfortable, a compromise way, and the final presentation is what it looks like in the play. "

Song Jia's Pan Xiaoshuang is a light in Song Hao's life, bringing happiness to his miserable life. Zhang Yu said that he had a good understanding with Song Jia from the first day when he read the script, "This thing may really be fate. You know that her Pan Xiaoshuang is a very eye-catching part. The vitality that Song Jia brings is undoubtedly a bonus to this film. Only Pan Xiaoshuang brought him that temperature. You haven't seen him show any obvious emotion before. Only Pan Xiaoshuang came to activate him. No matter from the shooting process, or from the joy in the creation process, it is really a lot more comfortable when playing with Pan Xiaoshuang. "

　　 He said he was very awkward in life

Now luckily, it's just "screwed up"

In Silence of the Wind, his father controlled Song Hao in the name of love. Fifteen years ago, he accidentally killed someone. Song Hao lived every day with his original sin on his back. Later, he realized that he didn't kill anyone, but his father helped him make up for it, This truth defeated Song Hao... Zhang Yu said: "He has fear and respect for his father, but when he saw his father's selfish and hypocritical humanity, Song Hao was desperate for the whole world."

Zhang Yu believes that the influence of the original family on a person is irreversible, "especially the cultivation of a person in childhood, the kind of things rooted in the original family can never be erased in a lifetime. Just like Li Tang's father, he always wanted to make Li Tang what he wanted. In fact, Li Tang didn't want to grab Song Hao's place, but his father arranged it for him. Later, when he studied, his father was shaping Li Tang, so Li Tang was actually alienated. His nervousness and arrogance are also his disguise. He can only use this to relieve some internal pressure. "

In Zhang Yu's opinion, there are so many complicated people around Song Hao, but Song Hao has always been the simplest and simplest

In the play, everyone was pushed by fate. When asked about himself in life, Zhang Yu said that he had always been very tight: "Sometimes it was good and sometimes it was bad. Now this stage is my lucky stage, which has been smooth for a while. But in fact, I have been twisting. Even now, I have also been twisting. I am a bit paranoid about the choice of things to do and the requirements for the script. I don't think this is good. I also try to relax myself a little bit. Sometimes the things I always cherish are not so important, so I try to take this thing less seriously, otherwise my hurt and disappointment will be greater. "