Restore the history 100 years ago by image,
Restoring the history of 1000 years ago depends on calligraphy and painting,
What if it was 2000 or even 3000 years ago?
Perhaps the best choice is to go to the museum to see the bronzes.
......
"How are you, Mr. Xu?"
A middle-aged man with a big belly asked hopefully.
"It is broken and corroded seriously, so there is little hope for repair."
On the left side of the middle-aged man stood an old man with white hair. Although his face was wrinkled, his eyes were bright, but his voice was slightly heavy at the moment, and he said slowly.
"Alas, you are too old to do anything about it. It is hopeless." The middle-aged man heard the reply, his face was gloomy, and finally he was discouraged, but his mouth still kept saying, "Alas, it is a pity... a pity, a pity."
"But...."
"I have an idea, maybe I can try." The white haired old man hesitated.
"Ah? You said you did." The middle-aged man was going to give up the repair, but now he heard the old man's words, there seemed to be a glimmer of hope, and suddenly came to the spirit, and hurriedly asked.
"Didn't Wang Liuxu attend the seminar in Dashi? You can ask him to have a try. Maybe there is hope."
"Do you mean Master Wang Liuxu, a leading figure in ancient bronze restoration in the Sanjin Museum?"
"Hum, can there be anyone else besides Wang Laoxie?"
"But you and him...."
"You can go when you are told to. There is so much nonsense."
The middle-aged man still wanted to speak, but when he saw the old man with white hair, he was not happy, so he didn't dare to say more, and left resentfully.
If others see Fang Yan, the famous director of the Science and Technology Department for Cultural Relics Protection of Mianyang Museum, who is now docile, they will be shocked. Although Mianyang Museum is small in scale, it has a very high status.
Because it is located in the southwest of China, it has successively excavated a number of ancient tomb sites that shocked China and foreign countries. The museum has a rich collection of cultural relics, including bronze, ceramics, calligraphy and painting, wood, lacquer, textiles and other cultural and historical relics with great cultural and historical value, providing a lot of powerful information and evidence for the study of the 5000 year history of China.
Fang Yan, as the director of the Cultural Insurance Department, has naturally risen in stature.
There are even many national first-class cultural relics in the museum, especially the national treasure level bronzes.
You should know that bronze ware has always been respected as the "treasure of the country". From the large Wuding, the mother of sacrificial bronze ware in the Shang and Zhou Dynasties, to the current "best sword in the world", Goujian Sword, King of Yue in the Spring and Autumn Period, all of them are important weapons of great powers in China.
Moreover, in the field of antique collection, bronzes are also very popular, and they have sold at a high price in many auctions.
The money tree of the Eastern Han Dynasty hidden in the Mianyang Museum is one of the first 64 national treasures listed as permanently prohibited from leaving China.
This money tree has a vivid and beautiful shape and is well preserved. It is 198cm high and is the largest money tree ever unearthed in China.
The whole structure is composed of 29 kinds of parts, such as base, trunk and crown. The crown is divided into seven layers, beautiful and elegant in shape, exquisite in production, and has high literary, historical and economic value.
The money tree was a funerary object popular in the Han and Wei Dynasties. This cultural phenomenon in the Bashu Cultural Area was even more unique. The ancients believed that the tree was a ladder for gods to communicate with heaven and earth and a habitat for the sun god.
In the Han Dynasty, the money tree was also regarded as a mascot. "If you get it, you will live forever, and your money will never run out.".
With the gradual decline of people's religious concept, the leaves of the money tree have changed from various mythical patterns to coins of all sizes, and people's belief in God has begun to become worship of money.
The world-renowned Sanxingdui Bronze Divine Tree has unveiled the mysterious veil of the sacred tree worship culture for us, and the money tree more like us shows the development and inheritance of the ancestors' tree worship culture, reflecting the people's good wishes for immortality and disaster relief.
At noon the next day,
Mianyang Museum Bronze Relics Restoration Laboratory.
A skinny old man, with a wrinkled face and a thick silver hair combed in good order, dressed in a Chinese Tang suit, with his left hand holding his cheek, looked at thousands of decayed and fragile bronze fragments, frowned and nodded, as if falling into some kind of meditation.
Fang Yan, the director of the Science and Technology Department of Mianyang Museum of Cultural Relics Protection, stood on the right side of the silver haired old man, staring at his face with disordered breathing and a look of hope. He wanted to ask several times, but thought of the old man's temperament, he was again unbearable.
"Xiao Zhou, what do you think?"
The old man finally opened his mouth and just asked a young man on the left.
This surprised Fang Yan, because the old man's tone was so approachable and respectful that he seemed to ask a peer.
You should know that the old man in front of you is a famous ancient bronze restoration master in China, the fifth generation descendant of the Beijing School, and is also known as the "Northern King and Southern Zhao" with the southern school.
Director? It depends on who is right.
You should know that there is a joking saying in the field of cultural relics restoration: "cultural relics doctor, this is a rarer existence than cultural relics!"
To some extent, a leading figure like Wang Liuxu is as rare as a giant panda.
Through his hands, I don't know how many endangered cultural relics have been revitalized, making outstanding contributions to the research of the archaeological and historical circles.
Looking closely, Fang Yan saw a young man wearing a blue business suit, with fair skin and tall posture, especially the handsome face, which impressed Fang Yan deeply before, and he seriously doubted whether he was born into a man by mistake.
But look at this posture? Isn't it the student led by Wang Laotao?
Is he still a genius demon? Fang Yan can't help thinking that it's really the rhythm of reading too many novels.
It may be true in other fields, but in the field of cultural relics restoration, which leader did not experience decades of baptism to become famous.
Genius?
Sorry, that's someone else's child. All the people in the field of cultural relics restoration are adopted abandoned children.
Or some gilded childe?
Is it still useful to come here?
Such an industry that doesn't shit should go to the big industries in the financial circle.
"In the Eastern Han Dynasty, it seems that the money tree, which was used as a tool for making money, is a rare and rare species."
At the moment when Fang Yan's mind turned sharply, the young man began to speak brightly.
"Oh?... Are you sure?"
Old Wang was a little surprised and asked with a smile.
"Teacher, it's hard to say. Everything will be determined after repair."
Zhou Li wanted to say yes, but considering that it was too eye-catching, he changed his mind temporarily.
Look at the system interface in the void:
[System Task: Money Tree Repair, Task Time Limit: Three Days]
[Identification of cultural relics: the money tree of the Eastern Han Dynasty]
[Damage level: Level II damage]
[Task reward: 1000 points]
[Current points: 829]
[Novice gift package: a repair plan No. 002]
Zhou Li's eyes could not be seen. It seemed that the second task was coming.
However, this is the second time that a gift package has been given. It's a homely system.
"It's a big tone. A young man who has been observing for half an hour dares to repair it. I don't know how lofty the earth is. There is no doubt that there is a master like a disciple."
Zhou Li's eyebrows wrinkled slightly when he heard the sound of yelling. Of course, visual inspection is not enough, but I can make a systematic judgment.
When there was Old Wang, Zhou Li didn't deliberately refute him. Looking back, he saw a gray haired old man with a bad look coming up, surrounded by two young men, staring at Zhou Li with a bad look. He wanted to devour Zhou Li alive, but Zhou Li didn't know what to do.
Sure enough, Old Man Wang knew who it was before he returned and said sarcastically:
"Hum, who was I at that time? My voice was so strong that I was always ready to teach others lessons. I haven't changed at all."
