Zhou Daxin, born in February 1952 in Dengzhou, Henan Province, is a contemporary Chinese writer and a member of the Communist Party of China.He graduated from Xi'an Political College of the People's Liberation Army in 1985.He was drafted into the army in 1970.He has successively served as a soldier, deputy squad leader, squad leader, platoon leader, deputy instructor, officer of the League Political Office, officer of the Division Political Department, officer of the Publicity Department of the Political Department of the Jinan Military Region, creator of the creation room of the Jinan Military Region, and director of the creation room of the General Logistics Department.Member of the Fifth, Sixth, Seventh, Eighth and Ninth Plenary Committees of the Chinese Writers Association.The military rank of major general, first grade in literary creation.[2-3]
In February 1979, he published his first novel Letter from the Front.In August 1986, he published the short story Han Family Women.In April 1987, he published the short story Little Clinic.In 1988, he joined the Chinese Writers Association.In 1990, he published his first novel《Out of the Basin》。In 1991, he published the novella "Left Rosefinch and Right White Tiger".In January 1994, he published novella《Upward steps》。In July 1998, a novel《Act 20》Three volumes (upper, middle and lower) are completed.In July 2001, he published a novel《Building 21》。In 2003, he published a novel《War legend》。In 2008, novel《a landscape of lakes and mountains》ObtainedThe 7th Mao Dun Literature Award。In July 2009, he published a novel《early warning》。In August 2012, published a novel《Relieve the soul》。In 2015, published a novel《Qu Zhongren is here》。In January 2018, published a novel《It's getting dark slowly》。In January 2021, the 13th novel will be launched《Los Angeles Flowers》Later, the novel was declared closed.[4]
In February 1952, he was born into an ordinary peasant family in Zhouzhuang Village, Deng County, Henan Province.In 1957, he began to study in Hewan Primary School.In 1961, he finished his junior high school study and was admitted to the senior elementary school in Goulin Town, showing his love for words.When he was a senior high school student, he wrote some compositions after completing his Chinese homework, which was his earliest prose writing practice and also his literary enlightenment.At this time, I began to read novels. The first book I read was autobiographical novels《Gao Yubao》。
In 1967, he joined a long march tandem team to Shaoshan, walked two or three thousand kilometers, and finally arrived at Mao Zedong's hometown with his classmates.Later, he took a bus to Changsha, Zhuzhou and Shanghai. This was his first time to travel far and see the world outside Goulin Town.When I got home, I helped my family with farm work, played erhu and learned to play basketball.In the second half of 1968, the school resumed classes and made a "revolution". It was recommended by the poor, lower and middle peasants in the village to study in the third middle school.The school does not have a strict teaching system, and learning is tight and loose. It often goes to the countryside to learn agriculture, and uses the opportunity of learning agriculture to learn to drive chain track tractors.
From October to November 1970, a troop stationed in Shandong went to Deng County to recruit soldiers. A company commander named Li, who was playing basketball with Zhou Daxin and others, noticed that Zhou Daxin was 1.78 meters tall at that time and recruited him;In late December, he went to Feicheng, Shandong Province, to work as a ground artillery under the 67 Field Army.The military life opened a new chapter of his life and injected new nutrition into his writing, which became one of the themes of his novels.
In 1973, he worked as a clerk in the command company of the artillery regiment.One of the tasks of the document is to write a blackboard newspaper, and often fill in the blank space of the blackboard newspaper with poems written by yourself.During the period of writing documents, he often used the "convenience of duty" to read the "internal books" kept by the company. A lot of reading broadened his vision and laid a foundation for his future writing.
In 1976, he wrote the screenplay "Ancient Elm", but did not shoot it. The script was published in 1995.In the same year, he began to try to write novels, which was his first time to write novels.The novel describes the life of a veteran who went to Taiwan that year.In 1977, he wrote the screenplay "False Accusation", but failed to shoot it. The screenplay was published in 1995.
At the beginning of May 1978, he was notified to work in the Propaganda Department of Jinan Military Region.In the same year, he continued to write a novel about the life of Taiwan veterans, "Missing", and wrote more than 300000 words. After several changes, he failed to publish it due to lack of artistic preparation and burned the manuscript.Although his creation in the past three years has not been recognized, it is the foreshadowing of his writing.
In February 1979, the border war broke out in southern China, and the military short story Letter from the Front was created with the Sino Vietnam War as the background. It was published in the supplement of Jinan Daily on March 25.This is his first novel officially published.
In 1982, the short story "The Fourth Class Father" was published in the 8th issue of "Rush".Since then, the novel has been adapted into a TV drama Taishan Sentiment by Hunan TV Station, a TV drama Father in Military Suit by Shaanxi TV Station, and a radio drama by Henan People's Radio Station.At the end of the same year, he was allowed to enter the university and the Xi'an Political College of the PLA.
In 1983, he was admitted to Xi'an Political College of the People's Liberation Army with the first total score in the examination site of Jinan Military Region.I read a lot of books in the school library and wrote short stories and novels in my spare time.In 1984, he wrote and published the short story "Huangpu" Five Issues (Shanghai Literature, Issue 5) in the Xi'an Political College of the People's Liberation Army, which was later reprinted in the Fiction Monthly (Issue 7).
In July 1985, he graduated from Xi'an Political College of the People's Liberation Army.In winter, he was informed to go to Laoshan front line with reporters from the newspaper office of the military region, which was his first time on the battlefield.This front-line interview had a great impact on Zhou Daxin's life and writing. The inspiration for the novels Han Family Women, Small Clinic and Corridor came from this.Before going to the battlefield, fearing that he could not return safely, he wrote a suicide note to his son.At the end of the same year, he entered the creation room of Jinan Military Region to engage in professional creation.
In 1986, he participated in the "Great Red Gate Pen Meeting" held by the PLA Literature and Art in Beijing. During the meeting, he completed the short stories "Han Family Women" and "Small Clinic" created for the interview in the war hospital, which were recognized by Tao Taizhong, editor in chief of the PLA Literature and Art.The Han Family Girl was published in the 8th issue of PLA Literature and Art, and won the National Short Story Award from 1985 to 1986. It was adapted into a TV series of the same name and won the "Flying Sky Award" for TV series.In the same year, he joined Shandong Writers Association.
In April 1987, the short story "Small Clinic" was published in the fourth issue of Hebei Literature, reprinted in the same year's "Selected Novels" (sixth issue), "Literature Grand View" (eighth issue), and won the 1987 - 1988 National Short Story Award;In May, the novella Corridor was published in the third issue of Kunlun, which was his early important work. Kunlun held a special seminar for the novel and won the prize of excellent works;In September, he entered Lu Xun College of Literature for further study.In the same year, he completed the long piece "Out of the Basin".In 1988, he joined the Chinese Writers Association.
In 1989, the novella "Old Way" was published in the first issue of Times Literature, reprinted in the third issue of Selected Novels in the same year, and won the Outstanding Works Award of Times Literature, which was later adapted into a TV play;In the same year, the novella "Fu Niu" was published in the second issue of "The Novelist". In 1994, it was adapted by Yu Xiangyuan, director of Changchun Film Studio, into the film "Obsessing Men and Complaining Women and Cattle".
In 1990, the first novel《Out of the Basin》It was published in the second issue of The Novelist, and was published in a separate edition by Baihua Literature and Art Publishing House. In 1998, it was adapted into the TV play Out of the Basin of the same name.The novel tells the inspirational story of Zou Ai, a rural girl, who is unwilling to her poor fate and has the courage to struggle.In the same year, Zhou Daxin published the Fragrant Oil Workshop by the Fragrant Soul Pond (The Great Wall, Issue 2), which was later adapted into the modern Henan opera Fragrant Soul Girl.
In 1991, he published the novella "Left Vermillion Sparrow and Right White Tiger" (The Great Wall, Issue 1), which was reprinted in the fifth issue of the Monthly Fiction in the same year.The Great Wall held a symposium on "Red Sparrow on the Left and White Tiger on the Right" in Jinan. Mr. Feng Mu attended the meeting. After the meeting, Zhou Daxin accompanied Mr. Feng Mu to visit the Han Dynasty stone reliefs.Later, "Left Rosefinch and Right White Tiger" was adapted into a TV play;It was adapted into the modern Henan opera Red Chrysanthemum by the Third Henan Opera Troupe;In the same year, he published the novella Stepping out of the Dense Forest in the third issue of October.
In 1992, the novella Stepping out of the Dense Forest was adapted into the film Great Fission of Man and Monkey, which was shot by Xi'an Film Studio and directed by Pan Pei.
In January 1993, the Chinese Literature Publishing House published the French version of The Fragrant Soul Woman;In February, the film Fragrant Soul Girl, adapted from Fragrant Oil Workshop by Fragrant Soul Pond, won the Golden Bear Award at the 43rd Berlin International Film Festival in 1993;In August, the novel "Dreaming But Not Feeling Long" was first published in the fourth issue of "The Great Wall" and later renamed "Act 20" (Volume I);In October, the novella Silver Jewelry was published in the 5th issue of Huacheng and reprinted in the 12th issue of Fiction Monthly in the same year;In the same year, he was rated as a first-class writer.
In January 1994, he published novella in the first issue of October《Upward steps》And won the "October" Award for Outstanding Works, the "Selected Novels" Award for Outstanding Works, the "Hundred Flowers Award" (1994) and other awards of the sixth "Fiction Monthly".
In 1995, he was transferred to Beijing and engaged in professional creation in the studio of the General Logistics Department;In the same year, he published the novella Collapse in the fourth issue of Everyone.
In April 1996, the People's Literature Publishing House published the novel Grid, which was later renamed Act 20 (Volume II);In May, the novella Safe World was published in the 3rd issue of The Novelist;In July, Jilin People's Publishing House published Zhou Daxin's Anthology (five volumes);From December 16 to 20, he was elected as a representative to attend the Fifth National Congress of the Chinese Writers Association, and was elected as a member of the Fifth National Committee of the Chinese Writers Association.
In March 1997, the novel Vanishing Scene was published in the second issue of October, and later renamed Act 20 (Volume II);In July, Zhou Daxin took part in a delegation of Chinese writers to visit Israel to carry out foreign cultural exchanges. During his visitShimon PeresInterview with.
In July 1998《Act 20》Three volumes (first, middle and second) were completed and published by People's Literature Publishing House.In the autumn of the same year, he joined the delegation of Chinese writers to visit Romania.
In July 2001, a novel《Building 21》Published in the 4th issue of Zhongshan, he wrote the stories of dozens of people who live or appear in this building, and linked them together through a security guard surnamed Tan in the building to form an organic whole.The novel won the first prize of new works of the PLA;In November, Zhou Daxin took part in a delegation of Chinese military literature writers to visit Russia to carry out foreign cultural exchanges;From December 18 to 22, he participated in the 6th National Congress of the Chinese Writers Association as a representative and was elected as a member of the 6th National Committee of the Chinese Writers Association.
On April 6, 2002, the third“Feng Mu Literature Award”；From September 18 to 28, he participated in the delegation of Chinese writers, attended the "International Writers' Day" held in Ottawa, Canada, and delivered a speech "The Influence of Taoist Culture on Chinese Literature".
In 2003, he published a novel in the 6th issue of Everyone《War legend》The novel describes a war five hundred years ago, and has a new comment on that war from the perspective of civilians, highlighting the portrayal of human nature.In 2004, he returned to his hometown, Danjiang Reservoir, to make a survey and began to write the novel "Scenery of Lakes and Mountains".
In April 2006, a novel《a landscape of lakes and mountains》Published by the writer's publishing house, with Chu Nuannuan, a young rural woman who once worked in the city, as the main character, she tells the story of her self-reliance and self-improvement after returning to her hometown, Chu Wangzhuang, constantly pioneering and enterprising, leading the whole village out of poverty through rural tourism and insisting on not being corrupted by power and money.
In the summer of 2008, Zhou Ning, the 29 year old only son, died of a brain tumor. The death of his son made Zhou Daxin very sad. He decided to write a book for his son, himself and other parents who lost their children, and began to write the novel "Requiem";On October 27, The Scenes of Lakes and Mountains wonThe 7th Mao Dun Literature Award。
In July 2009, a novel《early warning》Published in the 13th issue of The Chinese Writer, this novel makes Zhou Daxin return to the creation of the military field. The novel cuts into the lively, prosperous, peaceful world in which contemporary soldiers live, but it is also a strange world full of dangers and traps.
In October 2010, he participated in the "Perception of China Turkey Trip" and delivered a speech entitled "Writer Writing in the Context of Globalization" at Turkish Strait University.In March 2011, the sixth plenary meeting of the Seventh National Committee of the Chinese Writers Association was held in Beijing. As a member of the committee, he made a speech entitled "New Changes in the Chinese Army and New Opportunities for Military Writers".
In August 2012, he completed a novel in memory of his son《Relieve the soul》, published in the 4th issue of Contemporary.Taking the death of the son as the boundary, Requiem is divided into two parts. The first part recalls the 29 year life course of the son in the form of dialogue between father and son, especially the experience of the son after his illness and the father's psychology;The second part of the fictional son soul from heaven.The novel won the Best Novel Award of Contemporary in 2012 and the Biennial Award of People's Literature in 2014.
In August 2013, Zhou Daxin and his wife donated 1 million yuan in their hometown Dengzhou to establish the "Zhouning Student Aid Fund", which is used to encourage and help poor students in Dengzhou to enter the university every year.In the same year, German Verlag Bussert&Stadeler published the German version of Zhou Daxin's novel "Scenery of Lakes and Mountains".
In 2014, the Arabic version of Requiem was officially exported to Arab countries.In 2015, the novel "Qu Zhong Ren Zai" with officialdom as the theme was published in the fourth issue of People's Literature.The novel won one of the top five works of Contemporary in 2015.In 2016, Requiem was published in Spanish.
In January 2018, we noticed the problem of population aging《It's getting dark slowly》Express concern for the elderly."Dark Is Slow" was published in the first issue of "People's Literature". The novel uses a quasi documentary approach to describe the aging process of retired judge Lao Xiao;In September, the novel won the first "Nanding Literature Award".[4]
In January 2021, published from a novel《Los Angeles Flowers》The novel uses the "quasi documentary" technique, from the perspective of a matchmaker, and the faithful records of four divorce trials, to tell the story of romance and snow and chicken feathers in a marriage story.This novel is the "seal pen" of Zhou Daxin's novel writing.[6]
On March 25, 2022, the film of the same name adapted from "Requiem" will be releasedTailang of Rixiang TempleDirect.[7]
On November 26, 2023, the Zhou Daxin Research Center was established in Henan University of Arts, and the Zhou Daxin Research Center was inaugurated.[15]
January 2024, collection of essays《Standing at the downstream of the long river of life》Published, this book is his first new work after "the closure of novels". It includes nearly 70 essays written by Zhou Daxin in recent years. According to the theme and type, it is divided into three series: On the Right Bank: Think about something, On the Left Bank: See some people, and On the Hexin Island: Read some books.[16]
Personal life
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On November 4, 1979, his son Zhou Ning was born.In 1998, Zhou Ning, his son, participated in the college entrance examination. Half a month before the examination, Zhou Daxin had been accompanying his son to review. This experience enabled him to create a novella "Going to July together".[4]On September 28, 2005, Zhou Ning was diagnosed with glioma. The prevalence rate of this disease is 1/100000, and the etiology has not yet been determined.On August 3, 2008, Zhou Ning died.The death of his son made Zhou Daxin very sad. He decided to write a book for his son, himself and other parents who lost their children, that is, the novel "Requiem".[8]
Daming in the River of Maternal Love: An Ordinary Woman's Experience
1987
Shandong Literature, Issue 5
Fengshui Tower
1987
PLA Literature and Art, Issue 7
Red Mulberry
1987
People's Daily (Overseas Edition)
Cow Tendon Belt
1987
Youth Literature, Issue 11
The Spring Dries Up
1988
Contemporary Writers, Issue 2
"Twilight Mist"
1988
Contemporary Writers, Issue 2
Circular Basin
1988
PLA Literature and Art, Issue 6
Old Ruts
1988
PLA Literature and Art, Issue 10
Clouds and Mists Reveal Stars
1989
Northern Literature, Issue 1
Strange Fire
1989
Fiction World, Issue 2
Hum a Little Song
1990
Hebei Literature, Issue 2
"A Journey to Jade"
1990
Mangyuan, Issue 3
Foster Son
1990
Changjiang Literature and Art, Issue 4
The Old Man Taking Out the Garbage
1990
Bud, Issue 5
Rural Teachers
1990
Hebei Literature, Issue 9
Guessing History
1991
Qingming, Issue 1
Talk
1991
Contemporary Fiction, Issue 4
Children
1991
Youth Literature, Issue 4
Grasping the Author
1991
The Novelist, Issue 4
Pyrography Museum
1991
The Wind of Northern Mountains, Issue 5
The Invention of Dusk
1993
Beijing Literature, Issue 10
"Die Without Cause"
1993
Shandong Literature, Issue 4
Cases
1994
Chinese Writers, Issue 5
The Fall
1995
Mangyuan, Issue 5
File
1995
Contemporary People, Issue 8
Meeting Station
1995
Mountain Flowers, Issue 10
Release
1995
Changjiang Literature and Art, Issue 12
Return to Home
1996
Fiction Monthly, Issue 8
Modern Life
1998
Fiction World, Issue 1
Private Talkshow
1998
Northern Literature, Issue 10
Golden Wheat Field
1999
Zhongshan, Issue 4
Descendants
1999
PLA Literature and Art, Issue 7
The Night Before Ascending the Throne
2001
Literary World, Issue 1
First Awakening
2023
Contemporary, Issue 2
(Reference:[4][6]）
Creation characteristics
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subject
Folk consciousness
Zhou Daxin, who insisted on his writing all the time in his novel creation, did not just stick to it, but deeply realized the impact of modern consciousness on traditional culture.He comes from the civilian class, always carries the feelings of civilians, and pays attention to some civilians. He writes about the life of civilians. It is his creative pursuit and embodiment to let himself write as a civilian all the time.His works always contain a simple civilian consciousness, constantly writing about the folk and reflecting folk life.His works are created in a folk narrative mode, consciously standing in the folk position and perspective to look at the colorful folk world, and show folk life with its unique folk narrative.He pays close attention to the life of the common people, is good at excavating the spiritual life world of the common people, and displays colorful civilian characters in his novels.[10]
Gender awareness
Zhou Daxin is a writer with a clear sense of gender. He can treat the women and men in his works from the perspective of gender harmony, especially consciously writing their inner world, character and destiny from the perspective of women, showing their painful pursuit of life to establish their own subjective status, and praising their brilliance in the depths of human nature.Zhou Daxin has created a series of female characters with distinctive personality in most of his works. He is good at revealing women's living conditions and unfortunate fate, showing their unremitting pursuit of independent personality, and eulogizing their spirit of dedication to achieve good ideals.Writers speak women's voices in a unique way of literary creation, so that their sleeping souls can wake up and try to find the life they want.The writer's new attitude towards female subjectivity is reflected in women's yearning for "independent personality" and their pursuit of "active sexual love".[11]
Military theme
The theme of Zhou Daxin's military novels has experienced a slow but solid evolution from starting to maturity and then to transcendence.From the passionate expression of the impulse to praise oneself to the constant maturity of humanitarian thought to the perspective of deep human nature in the context of war, based on the current realistic environment and his own inner thinking, Zhou Daxin, a military writer, expressed his modern thinking on the creation of military novels with an open creative attitude of constant self transcendence.For example, in The Legend of War, the author not only deconstructs the soldiers and the war from the perspective of human nature, but also closely focuses on the dignity of human beings, which also expresses Zhou Daxin's deepening humanitarian thought and sense of responsibility vividly.[12]
artistic characteristics
Local Ethical Narration
The narrative of family ethics in Zhou Daxin's local novels reflects the author's rational examination of kinship ethics.On the one hand, family norms, as a cultural metaphor and ethical appeal, perpetuate the family's blood and spirit; on the other hand, the tragedy of human relations caused by the autocracy of parents reveals the drawbacks of family culture that destroy human nature.In the conflict between traditional family ethics and modern civilization, the author calls for and seeks the high-quality spirit of traditional family ethics.
The love ethics narration of Zhou Da's new local novels shows the cultural tension of the separation of sex and love.The traditional marriage ethics described by the author are mostly the tolerance and maintenance of lovelessness or the inheritance and persistence of the concept of chastity;Love has no space for independent existence and is often covered or suspended by multiple pressures of career, material, power, etc;Local women pursue instinctive desire, subverting the traditional moral admonition, but they are helpless to hover on the moral edge of sex.Zhou Daxin's local novels reveal the ethical conflicts and cultural roots behind the separation of sex and love.
The narrative of interpersonal ethics in Zhou Da's new local novels describes the alienation and reconstruction of local human feelings.With the transformation of the modernity of rural China, the great changes in rural society have impacted the interpersonal relationships in the traditional countryside. The author shows the interpersonal ethical crisis in the novel, such as the indifference of human feelings with the supremacy of money and interests and the moral confusion caused by the marketization of rural politics. At the same time, through the image of rural women, Utopian salvation and religious conversion,It expresses the desire to build an ideal spiritual home under the disorder of rural interpersonal ethics.[9]
Disease narrative
Zhou Daxin's concern about the living conditions of people and his own experience of illness make him have a strong feeling of disease.Zhou Daxin's works are numerous, but throughout his creation, we can see that his description of disease has never stopped.It covers a wide range of physiological and psychological diseases, as well as the types of diseases with mild or severe degree, from anxiety and insomnia to malignant tumors, such as limb disability in Stepping out of the Dense Forest, cancer in Anhun, madness in Madness in the Old Century, and stupidity in A Tree in the Valley.Zhou Daxin showed great enthusiasm for disease in his novel. The disease types in the novel are rich, covering both the physical and mental levels. He not only focuses on the description of the symptoms of disease, but also focuses on the in-depth excavation of the social and cultural causes of disease.[13]
Award record
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Literature
Award time
Award Name
award-winning work
Award results
2024-4-26
The 25th Contemporary Literature Rally Annual Short Story
First Prize of the Fourth Military New Works Award
Act 20
Award
one thousand nine hundred and ninety-nine
Nomination Award of the Fourth National Book Award
Act 20
Award
one thousand nine hundred and ninety-four
"October" Excellent Work Award
The Upward Steps
Award
one thousand nine hundred and ninety-four
Outstanding Works Award of Selected Novels
The Upward Steps
Award
one thousand nine hundred and ninety-four
The sixth Fiction Monthly Hundred Flowers Literature Award novella award
The Upward Steps
Award
one thousand nine hundred and eighty-nine
1987-1988 National Excellent Short Story Award
Small Clinic
Award
one thousand nine hundred and eighty-nine
Outstanding Works Award of Time Literature
The Old Way
Award
one thousand nine hundred and eighty-seven
1985-1986 National Excellent Short Story Award
Han Family Girl
Award
one thousand nine hundred and eighty-five
Great Wall Excellent Work Award
Military Counselor
Award
(Reference:[4-5][17]）
Character evaluation
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Zhou Daxin's novels show a complicated world in the sense of regional culture, a bottom world.In this world, people are busy and hard to live, with distinctive imprints of land, culture and race. This is the pedigree of roots and the result of the growth of the cultural tree into the deep soil.Therefore, as a national writer and a regional writer, we should be proud in today's era of global cultural integration and dialogue.(Contemporary Chinese WritersQiu HuadongComment)[14]
Zhou Daxin's exploration of the novel form shows a writer's enough sensitivity and understanding.In the mid-1980s, his debut novel Out of the Basin had already shown his unique grasp of form.Since then, he has constantly changed the form of the novel. In the three volume novel "Act 20", the author uses the changing and derived new meaning grid as the main clue of the novel. "Madness in the Old Century" has changed to epistolary style, and "21 Mansions" has added many pictures. At the same time, the author also attempts to make a breakthrough in the text structure,It is a useful attempt to watch the multi-level urban life and form a strong contrast with one's eyes. They show Zhou Daxin's unremitting pursuit and constant passion for art and his inexhaustible artistic inspiration.(Professor, School of Arts, Renmin University of ChinaLiang HongComment)[14]
Zhou Daxin's creation is mostly based on the land where he nurtures himself -- the southwest basin of Henan Province as the background, taking the stories of mixed joys and sorrows in the history and reality of his hometown as the center of artistic review, and integrating his rational reflection on the concept, spirit and feelings of the generation who fled the land into the plot description, characterizationIn the construction of symbolic meanings, his novels not only exude a fresh and fresh soil flavor, but also contain the bitterness and heaviness like pathos and bitterness. After reading, they often give people an aesthetic feeling of no tears and no laughter.(Professor, College of Arts, Henan Normal UniversityCao ShuwenComment)[14]
The reason why Zhou Daxin is admired and respected is not only that he has been persistently describing, expressing and praising the subject of the society, civilians, with the mentality, perspective and perspective of civilians, but also that he always shows respect for the nobility and purity of women.No matter what kind of environment he is in, most of the women in his works are beautiful, kind and holy.It can be said that Zhou Daxin is a writer who knows how to appreciate beauty, but also a writer who has broken away from low-grade tastes.However, a writer who really knows how to appreciate beauty, can share a common fate with the common people, is connected by flesh and blood, and has the same feelings, his creative potential and explosive power cannot be underestimated.This is where Zhou Daxin's weight lies.(Literary criticLin WeijinComment)[14]
Tracing Zhou Daxin's creative path, we will find that this is a typical "old school" Chinese writer's path. Even today, when human civilization is making great strides driven by science and technology, his works just show strength in well containing the traditional cultural spirit that our nation will always cherish.People cannot but marvel at the solemn narration, simple language and simple plot of Zhou Daxin's works. The dignified, quiet and beautiful oriental characters often flow naturally from different works unconsciously. Every serious reader can always feel the strong Chinese style and style in his works of different times,The reason is simple - his works have always well preserved the spirit of our national culture, and are our own words.(Literary criticLiang HongyingComment)[14]
